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    Most Recent Crime House Videos! more
     PANTYHOSE SPIES ESCAPE FROM PRISON
    23 minutes

    2024-05-18
      PANTYHOSE SPIES ESCAPE FROM PRISON - PANTYHOSE SPIES (ESCAPE FROM PRISON)

CUSTOM

Starring: Li, Janina, Unholly Polly, Billy Brag

 

Elements: Firefight, Many Wounds, Bloody, Shooting, Emotional Deaths, Agonies, Death Stares, Chest Shots, Pussy Shots, Bodypile

 

GREAT "GIRLS IN PRISON» EXPLOITATION B-MOVIE WITH GREAT EROTIC SCENES!


Shooting, Fetish Focus, Blood, Death Stares and Great Death Scenes are in old-school Crime House-Dark Rooms style but with our new cinematic experience! Highly Recommended for purchasing!

 

PLOT

 

Three daring girls escape from prison where they were imprisoned for hooliganism. The escape is almost successful, but it is not enough for the girls to be free. They want to get into the main office of the prison warden, get a plan and keys to all the cells in order to free other prisoners and start a real riot. They tear off their prison robes and remain naked to wear sexy costumes made entirely of pantyhose. This is their feminist rebellion and flash mob, imitation of Kubrick’s criminals, worship of freedom, sexuality and independence.

They also got weapons - three pistols, and feel like brave, daring and invulnerable rebel girls with pistols.

However, everything changes when the alarm rings and an armed guard enters the premises. Janina is the first to panic and rush into battle, but fear and shock force her to be careless. Li and Polly duck for cover. Janina was bold and perky, but when she came face to face with danger, she lost her skill and was the first to be riddled with high-caliber bullets that pierced her lower abdomen, chest and other parts of her body, including her vagina. She squirmed in shock, making frightened and painful grimaces, bulging her eyes wide, grunting and convulsively clutching the wounds of her completely damaged body, fell on her side and was still shaking. She was ashamed in front of the girls that they saw her so frightened, a loser, pathetic and having met her death so dishonestly. Finally, after the agony, the end comes to her and she died with her eyes wide open.

Polly is shocked by Janina's death, because the deceased was their unofficial leader. Polly comes out of cover, trying to shoot back, but the next round of bullets falls on Polly. The girl was confused by the thought that her inevitable end had come. After all, if it weren’t for this escape and escape, she would soon be released. She looks at Janina's corpse and realizes that in a matter of seconds she will be just as dead. She makes an expression of despair, pain and resentment, blood flows profusely from her mouth and she falls on her back to suffer and agonize before the end.

Li leans out of her hiding place and is shocked to see her dead friends. She's scared like a hunted rabbit. The realization of the deadly trap has not yet come and she heroically rushes into battle on adrenaline, but the guard shoots her at point-blank range many times. Being the youngest of all three girls, Li is most indignant at death and, already mortally wounded, tries to shoot, but her weakening hand lets go of the gun, and the girl falls dead with the most stunned death stare.

The guard looks at three dead girls dressed only in pantyhose lying in bodypile.  SLAVES ELIMINATION
    20 minutes

    2024-05-12
      SLAVES ELIMINATION - Kira Sekira, Li, Mira Green, Plastic Bag, Female Killer in Leather
«I just watched it, it looks really nice, thank you, especially outfits are exactly as I wanted and everything is exactly according to the script. Please pass on my thanks to the actresses and the entire crew, very good job.»
Review of Customer

Three ACTRESSES are required:
    1) Guard (outfit similar to attached but with belt in panties and everything dark).
    2) Slave (higher rank, outfit similar to attached but with belt in jeans and jeans should be darker, t-shirt dark).
    3) Slave (lower rank, outfit similar to attached but with belt in jeans).

Video should start with the Guard walking (please show actual walk) and then entering the room where lower rank slave stands straight with her hands behind her head being disciplined by higher rank slave who is responsible for torturing lower rank slaves all day long. After seeing the guard higher rank slave quickly corrects lower rank slave's position and also stands with the same position (hands behind head) in line with her. The Guard asks higher rank slave if she remembers that this slave needs to be executed in an hour. Higher rank slave confirmes and ensures that everything will be ready. The Guard leaves the room.

Higher rank slave checks the time. She explains to her slave that she's going to be executed today and that the more problems she's going to cause the more painful this is going to be. She should keep her hands behind her head all the time and listen to the orders and then everything should go fast and easy. Then she orders her to kneel and leaves to bring the gag. After putting the gag on the mouth they are going to the execution place. This should be quite long and slow travel.

After arriving at the place of the execution higher rank slave orders her slave to clean up this room and prepare everything. She is getting more and more nervous as time is running out, so she shouts and rushes her slave. Lower rank slave is really scared, she should keep her hands behind her head if she happens to be empty-handed, but she forgets about this all the time which makes higher rank slave even more angry. Finally everything is ready when higher rank slave realizes that she has no handcuffs.

The Guard is coming to check if everything is as expected. Higher rank slave immediately runs to her slave, helps her to stand in proper position and then she does the same thing. The Guard is really angry that lower rank slave is not executed yet, there is definitely a delay. She says that higher rank slave is going to be punished for this. Then she orders to keep lower rank slave in line and she leaves to find the handcuffs. After she returns, together with higher rank slave they place lower rank slave on the chair with handcuffs for her execution.

After the slave is placed correctly The Guard orders higher rank slave to put the bag and keep it. After some time she orders to release it. Higher rank slave explains that that's because lower rank slave was not obedient enough so this must be more painful. This put-release sequence should happen three times. After that the Guard orders to put the bag permanently using lower slave's belt. She instructs higher rank slave how to do this properly. Higher rank slave should choke lower rank slave with this belt and the Guard should supervise this process and give "how to" orders.

After everything is done the Guard decides to take a few selfies with the executed slave and the higher rank slave, just for fun and to show other guards. Of course higher rank slave needs to be punished for the delay. The Guard orders her to keep her hands behind her head and they are going to the cell where higher rank slave will be whipped for the rest of the they. They leaves the room and video ends.
     REAL DETECTIVE
    22 minutes

    2024-05-12
      REAL DETECTIVE - A creepy police thriller!
A policewoman, alone without reinforcements, decides to enter the lair of the notorious serial Ripper, but does not calculate her strength and herself takes the place of the victim… This time the maniac knows no limits in his monstrous methods of reprisal…  SUPER NATURAL MURDERS
    14 minutes

    2024-04-26
      SUPER NATURAL MURDERS - SUPERNATURAL MURDERS
ULTRA GREAT QUALITY INDIE HORROR FILM!
Starring: MaryAnn, Marina Steffi, Max
CUSTOM
«Dude! You nailed it. It was really good. Specially the twisting her head off effect. Turning her head 360 degrees. The effect was incredible! You special effects guy is awesome. The acting of both girls, the direction the atmosphere was superb. That’s why I like to do these stories, voyeurism of watching the victims going through the routine. Unaware the horrible fate that await them (combined with my foot fetish of course ). The build up is important, and you nailed it. Congratulations to you and your team. Give a kiss and a hug to the two actresses on my part for putting their heat and souls into playing the parts. I’ll give them a nice foot massage as a thank you »
Review From Customer
Two girls arrived home from working at the perfume counter in a department store. Like in the 80’s they would be wearing professional clothes. Wearing pantyhose but extra sheer so that the feet are seen clearly. One is wearing some low heel mules or slides, the other flat pumps. They’re roomates and their feet are killing them after working long hours standing. They sit and chat. While they talk, they dangle shoes from toes, and dip feet in and out of their shoes. One of them gets up and goes to the kitchen while the other stays in the couch. Let’s shoes fall and rests her feet on Coffee Table. The house becomes chilly. Both girls feel the change in temperature. The girl in the kitchen goes to check the thermostat, after the girl in the couch shouts to her to check it.  A demon appears from behind the couch, girl feels something behind her, scared she puts her shoes on and stands up, tries to run but the demon in a flash appears in front of her, and grabs her by the neck and squeezes real hard.  The poor girl didn’t know what hit her. Her throat is completely shut out by the pressure. He starts to lift her up slowly, the heel of her feet slip out of her flats. He lifts her up a bit more. With her toes she is able to make the back of her flats slip back on. But as squeezes harder, and her body starts to go into spasms, her toes move causing the back of her shoe to slip on and off. Her tongue comes out far. She tries to call for help, but only gags come out of her mouth, since no air is passing through. As he squeezes harder, her eyes rolls back as the throat cartilage of the throat gives in and breaks. Her toes spread forward causing the flats to come off and just dangle from her toes, then a sickening crunch is heard as the demon finishes her by breaking her neck vertebrae. Her body relaxes at the same time a faint gurgle comes out of her mouth. The shoes fall off, and the soles of her feet and body relax, with her toes twitching a bit. Her eyes are open and her tongue hangs by the side. After, the demon sits her on couch, straightens her head and poses her by putting her shoes on, and crossing her legs. The leg that is over and has the foot dangling, he pulls the heel cup of the shoe a bit so that the shoe is left dangling from the toe. He grabs a magazine and puts it on her lap and places her hands on the sides so that it looks like she is grabbing it. The demon struggles a bit to keep her head straight since it flips around due to the neck being broken. Finally he points her face down as if she would be reading the magazine place on her lap. The hair hides her distorted dead stare.

The other girl, comes back and tells her that she doesn’t know what’s going on with the thermostat, since it’s still cold. She doesn’t answer. She looks at her, and calls her again. No answer. She touches her shoulder and shakes her a bit and her head tilts backward and to the side, with faint cracklings heard from the broken bones of her neck, and revealing her death stare. The face pale, and the neck bruised from the pressure and bone breaking in the neck. The shoe that was dangling from the toe falls off. She puts both hands on her mouth in disbelief and as she turns around to go to the phone to call the police, she runs into the demon who grabs her by the throat with one hand. He starts to lift her up slowly. Her feet leave the floor. Her mules managing to stay on her feet but struggling to stay on. It was the sheer will of her toes that would keep those shoes on. Her gags keep coming out of her mouth as he squeezes harder, her face turning red first, her tongue coming out and her eyes opening wide. Her hands squeeze his arm to no avail. She suddenly sees what looks like a long and thin knife in front of her face. Since she can’t talk she shakes her head to plead with him not to kill her. The ice pick enters her open mouth and pierces the back of her throat and through the back of her brain. Her eyes roll back, her hands let go of his forearms and her arms flop to the side. Gurgles come out of her mouth and a little bit of blood trickles from her side of the mouth. Her feet relax in the air, and gravity takes a hold of her shoes. They simply slip off and fall off revealing her soles since her toes have no force anymore. A little twitches of her toes, and then her feet relax totally as the gurgles subside.  He sits her on the couch also with her feet resting on the coffee table. He rests the feet of the other girl again in the coffee table. Both next to each other with their eyes open and tongues out.

The demon grabs the head of one of them head from both sides and twists it so hard that the head goes around 180 degrees. A sickening crunch is heard. Her dead toes spread in reaction and relax. The demon gives the head another twist, causing the toes again to spread and wiggle, the crunch sounds again accompanied by a gushing sound of flesh and sinue being teared. As her head is tored off her dead body, her toes then relax. Then with the same long knife he stabbed the woman through the mouth, he grabs the other girl’s hair, pulls head back exposing her throat and starts to cut the throat of her corpse. Though she’s dead faint gags come out of her dead mouth, and her toes twitch. He cuts deeper, and as the knife reaches the bone, he drops knife, grabs her head and twists it around. Her toes spread and then relax. A noise of flesh tearing is heard along with crackling sounds of the neck vertebrae breaking. Twisting her head off like a bottle cap. The demon leaves their heads next to their headless corpses. Both corpses posed with soles propped up in the coffee table.
     Cannibals 4
    21 minutes

    2024-04-22
      Cannibals 4 - DEADLY PRIVARE LESSONS

Full way from sexy girl to roast meat

 

Rich prelude before cannibal eating

Kidnapping

Cut throat

Eating, bloody naturalistic eating

Full way from sexy girl to roast meat

 

Plot

Two sexy rich girl invite a student to their house. Poor girl thinks they are repetitors and wants to study Italian language. But they are cannibals  BOUNTIFUL HARVEST
    8 minutes

    2024-04-22
      BOUNTIFUL HARVEST - Two crazy fermers stabbed to death two city girls who were lost in the countryside for the ritual to make the harvest bountiful...
     DEATH MATCH
    46 minutes

    2024-04-22
      DEATH MATCH - Elements: MMA, Kicking, Boxing, Fighting to the death, Choking, Blood, Death Stares, Non Fatal Battles, Fatal Battles  

 

Experienced champions female  fights to the death find themselves powerless against young crazy girl fighters with no pity and no rules...  MUMMY GUTS
    10 minutes

    2024-04-22
      MUMMY GUTS - The horror episode about crazy drunk son stabbed his mother and took out her guts.
     BLOODY NAVELS HASS
    16 minutes

    2024-04-22
      BLOODY NAVELS HASS - The episode of the movie about belly stabbing with Hass.  BLOODY NAVELS 1
    16 minutes

    2024-04-22
      BLOODY NAVELS 1 - The episode of the film with stabbing belly buttons elements.

    Random Crime House Clips more
     4 Women Execution
    11 minutes
      4 Women Execution - This clip has no description.  SOLDIERS SHOT DEAD COCKTAIL
    12 minutes
      SOLDIERS SHOT DEAD COCKTAIL - SOLDIERS SHOT DEAD COCKTAIL

CAST: SALLY, HELGA, IVAN

Fetish Elements: Sexy Military Uniform with short skirts, Boots, Machine Gunned, POV killing, Firefight, Girls kill each other, Man kills girls, GunShots, Neck Snaps, Death Stares, Body Piles, Surprise Reactions before Deaths
No make up and fx effects 

13-14 Scenes (One Scene Shot in A and B camera)
26 Deaths

Scenes
1.	Helga and Sally were shot to death (POV), machine gunned
2.	Helga and Sally were shot to death (POV), machine gunned (with emotional reaction)
3.	Sally uses Helga as a human shield and kills her invisible opponent. Helga dies being machinnegunned
4.	Helga uses Sally as a human shield and kills her invisible opponent. Helga dies being machinnegunned
5.	Helga kills Sally by machine gun and after takes her weapon and shoots to the dead body
6.	Sally kills Helga by machine gun and after takes her weapon and shoots to the dead body (from A and B camera takes)
7.	A secret agent kills two soldiers by gun
8.	A secret agent kills two soldiers by gun very fast and they have no time to react
9.	A secret agent kills two soldiers by gun very fast (with more emotions and trying to kill him)
10.	A secret agent kills two soldiers by two guns in one second. He just goes away when surprised wounded soldiers are dying and touching each other in agony
11.	A secret agent uses Sally as a human shield. Helga kills her by machine gun trying to kill him but was shot by his gun three times
12.	A secret agent uses Helga as a human shield. Sally kills her by machine gun trying to kill him but was shot by his gun three times
13.	A secret agent snaps necks of Sally and Helga. Bodypile

IF YOU LIKE THIS VIDEO PLEASE CHECK OUT

MILITARY CLONES BATTLES 1-2
SPACESHIP INDIGO SERIES
ALL SHOT DEAD COCKTAIL CATEGORY
     MIRA LAST STAND
    26 minutes
      MIRA LAST STAND - MIRA LAST STAND
CUSTOM
CAST: Mira, Li, Nadya

Fetish Elements:
Headshot, Death Stares. Catfighintg, Bondaged, Kidnapped, BDSM, Shooting to the chest (lots), shooting to dead body, strangulation, strangulation face (crossed eyes, tounge out). Passed out, neck to the neck, stabbing, cruel, stockings, leather, fighting to the life, girl kills girl, Mira Kills Li, Mira is near to kill Nadya, Nadya Kills Mira 

We fade on as Nadya is outside on her phone holding a pistol with silencer. We hear her say that she’s tracked Mira down but she’s got a hostage. They tell her to use whatever force is require to take Mira down.
Nadya Enters the house
We cut to Mira who is dragging Li into a room by her hair, Li has her hands tied behind her back. Mira has a silenced pistol tucked into her skirt and is carrying a suitcase with her. Mira tells Li to shut up or she’ll have a hole in her head.
Mira peaks out of the door and sees Nadya walking around so quickly hides the suitcase and forces Li to her knees and stands behind her waiting for Nadya to enter. 
The camera follows Nadya as she Enters the room where Mira is. Mira holds Li’s face up so she can beg Nadya to save her life. Mira kneels beside Li grabs her face and slowly licks up from her jaw to her cheek. Mira tells Nadya to put her gun on the floor and kick it away. Nadya does as she’s told. Mira laughs, telling Nadya she should have put a bullet in her when she had the chance. Mira and Li look at each other, Mira blows Li a kiss before firing a single shot to the side of Li’s head killing her instantly. Li’s eyes open wide and blood pours out of her mouth before she collapses onto her side (eyes wide open, mouth slightly open). Mira aims her gun at Nadya and tells her not to move. She rolls Li onto her belly and removes the rope that bound her hands together. She grabs Li’s face and tells Nadya that she failed to save Li. Mira stands up then uses her foot to roll Li on to her back. A couple of overkill shots make Li’s body twitch, reacting to each shot. A close up on Li’s face sees more blood come out of her mouth eyes remain open. 
Mira then walks over to Nadya, gives her the rope and tells her to tie her hands together, she tells Nadya to face the door and puts the gun in her back of her head and tells her to move. They walk out of the room and into another. Mira demands that Nadya helps her escape or she’ll end up just like Li. Mira walks away from Nadya, Nadya seeing an opportunity to take control kicks Mira between the legs. Mira drops her gun and holds her pussy in pain (close up of eyes crossed in pain) Mira collapses to Her knees. Nadya rushes to pick un the gun, she instantly presses it again Mira’s forehead (who’s still kneeling holding her pussy) and demands she unties her wrists. Mira does as she’s told. Once she’s finishes she drops the ropes to the floor, Nadya calls her a good girl before hitting her on the top of the head with the bottom of the pistol knocking Mira out. Mira’s eyes cross and her tongue comes out before she collapses onto her chest with her butt in the air with her tongue still out (see attached image) camera is behind Mira to get a view of her bent over as Nadya walks behind her and comments that only a slut would fall in such a humiliating position. She then uses her foot to push Mira onto her back. Nadya says that she best check for any weapons and undresses Mira down to her lingerie and stockings (Nadya spreads Mira’s legs apart – making the comment that she bets Mira is used to spreading her legs). She Finds a knife tucked into one of her stockings, she throws it to the side. Camera pans Mira’s knocked out body, eyes rolling, tongue still out. Before fading to black.
The Camera pans Mira laid on a bed spread Eagle with her arms and legs tied to the 4 corners of the bed. She is blindfolded and gagged (see image for gag example). Mira is still unconscious. 
Nadya Slowly runs her pistol up Mira’s leg. Over her pussy and up her whole body before pushing the pistol against her temple. Nadya pushes Mira’s head with her gun to wake her up. Mira gains consciousness and panics as she doesn’t know what’s happening. Nadya Demands Mira tells her where the suitcase is. She removes the gag and blindfold and places them beside Mira. Again, Nadya demands Mira tells her. She forces the pistol into Mira’s mouth. She holds it in there for about 5 seconds (Mira staring at the gun then into. Nadya’s eyes) Nadya then starts slides the pistol in and out of Mira’s mouth (like oral) Nadya tells her that that’s all her mouth is good for as she isn’t telling her what she wants to know. Nadya tells Mira to open her mouth and stick her tongue out, Mira does as she’s told, Nadya put the gag back into Mira’s mouth. She then runs the gun down Mira’s body and slides it into her panties. Tell me or I’ll shoot, and no games or I’ll make your last moments alive agony. Mira nods, signaling that she’s ready to tell her. the gag is removed again and Mira finally tells her (the wrong place as she wants Nadya to leave the room) Nadya leaves the room to retrieve to suitcase. Once she’s left we see Mira manage to get a hand free. She rushes to Untie her other hand and legs. We then see Nadya look Where Mira said realising she’s been tricked she rushed back to confront Mira. When she enters Nadya sees the empty bed.
Mira suddenly appears behind her and using one of her straps starts to strangle Nadya. Nadya manages to break free, the girls start fist fighting/attacking each other exchanging punches, grabbing hair, rolling around on the floor etc. Mira manages to get on top of Nadya punching her and strangling her. Nadya barely conscious manages to get Mira off her. Mira asks Nadya how she’d like to die. Mira goes to attack Nadya again. Nadya dodges her attacks before punching/kicking Mira several times. Mira falls to the floor and tries to crawl away. Nadya follows her as she slowly crawls towards the door. Nadya opens the door and tells Mira she can leave only if she tells her where the suitcase is. Mira admits defeat and tells Nadya. As Mira puts her head past the door Nadya slams it shut on her head. Mira’s eyes cross as she slumps to the floor on her belly her body is twitching/convulsing. Nadya grabs her hair and walks her (Mira crawls on her hands and knees) into another room with a sink/bath. She’s not finished with her yet. Nadya turns the taps on and forces Mira’s head into the water. Mira struggles, she manages to get her head out of the water a couple of times but each time Nadya forces her head back in. Finally, Mira’s body weakens a few twitches before going still. Nadya pulls Mira’s head from out of the water, as Nadya is holding Mira’s head Mira’s mouth opens, her tongue comes out and water pours out of her mouth. Mira has her eyes closed and her tongue far out. Nadya Holds her head up before allowing Mira’s body to fall back so she’s on her side. Nadya rolls Mira onto her back and checks her eyes (see attached image). 
Nadya, thinking she’s killed Mira leaves to collect the suitcase, she gets the suitcase and opens it to check it’s what she’s after (we don’t see inside, just Nadya looking). In the background we see a wet Mira standing holding a knife. She screams at Nadya that this isn’t over and she’d rather die than know Nadya got away with her suitcase. Nadya tells her that can be arranged. Mira runs to attack Nadya, Nadya swiftly turns and shoots Mira in her heart stopping her immediately. Mira shocked looks down at the hole in her chest before looking back at Nadya, blood flowing from her mouth. Nadya fires again near her heart. Mira collapses to her knees as Nadya walks up to her. Mira grabs onto Nadya and look up to her, she begs Nadya to make her death fast and painless. Nadya tells Mira how pathetic she is, grabs her head and snaps her neck. Mira falls onto her back, her body twitching. Nadya kicks Mira’s legs open so they’re spread really wide. She then grabs the knife out of her hand. Nadya holds the knife and slowly inserts it into Mira’s neck. More blood comes out of her mouth her eyes stare into the camera shocked before rolling/crossing. Nadya removes the knife (Mira’s body jerks at its removed) Mira’s body is still twitching so Nadya; tells Mira ‘you deserve this you fucking bitch’ before forcefully slamming the knife into Mira’s heart. Her body jerks again before going still. her eyes are crossed and her mouth slightly open with blood coming out of her mouth. Nadya stands up in between Mira’s spread legs and fires 3 more bullets into Mira’s body. Her body twitches with each shot. Nadya collects the suitcase and leaves. The camera pans Mira’s spread eagled body with shots of her whole body and close ups of spread legs and face. 

IF YOU LIKE THIS FILM PLEASE CHECK OUT
PAYBACK
TORTURE KILLER part 2  ARCHER 11
    31 minutes
      ARCHER 11 - ARCHER 11
CUSTOM
Starring: Mira Green, Sally, Luiza, Max
ANOTHER STORY ABOUT THE ARCHER. WHAT HAPPENED BETWEEN ARCHER 10 AND ARCHER 12 EPISODES?

Plot
The story begins from three dead girls with arrows in their bellies. And then the movie is the flashback with telling why it happened. 
Three girls were moving from the town for searching new locations with night clubs opened for new dancers. All clubs in the lost city were closed because of crimes of maniac Archer who killed sexy dancers. 
The Archer who was near to be killed  by police in Archer 10 was going by the road leaving town. He saw a car and stopped it asking to drive him o the nearest motel. Three girls were in the car. Their fatal mistake was they decided to rudely joke at him. They stopped a car and  asked him to change the wheel. When he went out from the car they just drove away with his bag… They understood they stole it from the Archer when they found arrows, money and a gun inside the bag… But Archer had a chanse fopr revenge…

IF YOU LIKE THIS FILM PLEASE BUY ALL OTHER «ARCHER» MOVIES
     THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.  DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


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9 stabbing of Nata

    Welcome to Crime House
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 964 Clips / 16575 minutes of video!

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      SLAVES ELIMINATION

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      REAL DETECTIVE

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      SUPER NATURAL MURDERS

    SUPER NATURAL MURDERS

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      Cannibals 4

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      BOUNTIFUL HARVEST

    BOUNTIFUL HARVEST

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      DEATH MATCH

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      MUMMY GUTS

    MUMMY GUTS

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      BLOODY NAVELS HASS

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      BLOODY NAVELS 1

    BLOODY NAVELS 1

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      TARGET IMPOSSIBLE

    TARGET IMPOSSIBLE

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      MIRA GREEN DROWNED

    MIRA GREEN DROWNED

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      MIRA GREEN IN PERIL 4K

    MIRA GREEN IN PERIL 4K

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      BEAUTIFUL REVENGE

    BEAUTIFUL REVENGE

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      A RIVAL TO BE ELIMINATED

    A RIVAL TO BE ELIMINATED

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    Click HERE To See The Full List Of Clips On This Studio
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