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    Most Recent Crime House Videos! more
     SUPER NATURAL MURDERS
    14 minutes

    2024-04-26
      SUPER NATURAL MURDERS - SUPERNATURAL MURDERS
ULTRA GREAT QUALITY INDIE HORROR FILM!
Starring: MaryAnn, Marina Steffi, Max
CUSTOM
«Dude! You nailed it. It was really good. Specially the twisting her head off effect. Turning her head 360 degrees. The effect was incredible! You special effects guy is awesome. The acting of both girls, the direction the atmosphere was superb. That’s why I like to do these stories, voyeurism of watching the victims going through the routine. Unaware the horrible fate that await them (combined with my foot fetish of course ). The build up is important, and you nailed it. Congratulations to you and your team. Give a kiss and a hug to the two actresses on my part for putting their heat and souls into playing the parts. I’ll give them a nice foot massage as a thank you »
Review From Customer
Two girls arrived home from working at the perfume counter in a department store. Like in the 80’s they would be wearing professional clothes. Wearing pantyhose but extra sheer so that the feet are seen clearly. One is wearing some low heel mules or slides, the other flat pumps. They’re roomates and their feet are killing them after working long hours standing. They sit and chat. While they talk, they dangle shoes from toes, and dip feet in and out of their shoes. One of them gets up and goes to the kitchen while the other stays in the couch. Let’s shoes fall and rests her feet on Coffee Table. The house becomes chilly. Both girls feel the change in temperature. The girl in the kitchen goes to check the thermostat, after the girl in the couch shouts to her to check it.  A demon appears from behind the couch, girl feels something behind her, scared she puts her shoes on and stands up, tries to run but the demon in a flash appears in front of her, and grabs her by the neck and squeezes real hard.  The poor girl didn’t know what hit her. Her throat is completely shut out by the pressure. He starts to lift her up slowly, the heel of her feet slip out of her flats. He lifts her up a bit more. With her toes she is able to make the back of her flats slip back on. But as squeezes harder, and her body starts to go into spasms, her toes move causing the back of her shoe to slip on and off. Her tongue comes out far. She tries to call for help, but only gags come out of her mouth, since no air is passing through. As he squeezes harder, her eyes rolls back as the throat cartilage of the throat gives in and breaks. Her toes spread forward causing the flats to come off and just dangle from her toes, then a sickening crunch is heard as the demon finishes her by breaking her neck vertebrae. Her body relaxes at the same time a faint gurgle comes out of her mouth. The shoes fall off, and the soles of her feet and body relax, with her toes twitching a bit. Her eyes are open and her tongue hangs by the side. After, the demon sits her on couch, straightens her head and poses her by putting her shoes on, and crossing her legs. The leg that is over and has the foot dangling, he pulls the heel cup of the shoe a bit so that the shoe is left dangling from the toe. He grabs a magazine and puts it on her lap and places her hands on the sides so that it looks like she is grabbing it. The demon struggles a bit to keep her head straight since it flips around due to the neck being broken. Finally he points her face down as if she would be reading the magazine place on her lap. The hair hides her distorted dead stare.

The other girl, comes back and tells her that she doesn’t know what’s going on with the thermostat, since it’s still cold. She doesn’t answer. She looks at her, and calls her again. No answer. She touches her shoulder and shakes her a bit and her head tilts backward and to the side, with faint cracklings heard from the broken bones of her neck, and revealing her death stare. The face pale, and the neck bruised from the pressure and bone breaking in the neck. The shoe that was dangling from the toe falls off. She puts both hands on her mouth in disbelief and as she turns around to go to the phone to call the police, she runs into the demon who grabs her by the throat with one hand. He starts to lift her up slowly. Her feet leave the floor. Her mules managing to stay on her feet but struggling to stay on. It was the sheer will of her toes that would keep those shoes on. Her gags keep coming out of her mouth as he squeezes harder, her face turning red first, her tongue coming out and her eyes opening wide. Her hands squeeze his arm to no avail. She suddenly sees what looks like a long and thin knife in front of her face. Since she can’t talk she shakes her head to plead with him not to kill her. The ice pick enters her open mouth and pierces the back of her throat and through the back of her brain. Her eyes roll back, her hands let go of his forearms and her arms flop to the side. Gurgles come out of her mouth and a little bit of blood trickles from her side of the mouth. Her feet relax in the air, and gravity takes a hold of her shoes. They simply slip off and fall off revealing her soles since her toes have no force anymore. A little twitches of her toes, and then her feet relax totally as the gurgles subside.  He sits her on the couch also with her feet resting on the coffee table. He rests the feet of the other girl again in the coffee table. Both next to each other with their eyes open and tongues out.

The demon grabs the head of one of them head from both sides and twists it so hard that the head goes around 180 degrees. A sickening crunch is heard. Her dead toes spread in reaction and relax. The demon gives the head another twist, causing the toes again to spread and wiggle, the crunch sounds again accompanied by a gushing sound of flesh and sinue being teared. As her head is tored off her dead body, her toes then relax. Then with the same long knife he stabbed the woman through the mouth, he grabs the other girl’s hair, pulls head back exposing her throat and starts to cut the throat of her corpse. Though she’s dead faint gags come out of her dead mouth, and her toes twitch. He cuts deeper, and as the knife reaches the bone, he drops knife, grabs her head and twists it around. Her toes spread and then relax. A noise of flesh tearing is heard along with crackling sounds of the neck vertebrae breaking. Twisting her head off like a bottle cap. The demon leaves their heads next to their headless corpses. Both corpses posed with soles propped up in the coffee table.  Cannibals 4
    21 minutes

    2024-04-22
      Cannibals 4 - DEADLY PRIVARE LESSONS

Full way from sexy girl to roast meat

 

Rich prelude before cannibal eating

Kidnapping

Cut throat

Eating, bloody naturalistic eating

Full way from sexy girl to roast meat

 

Plot

Two sexy rich girl invite a student to their house. Poor girl thinks they are repetitors and wants to study Italian language. But they are cannibals
     BOUNTIFUL HARVEST
    8 minutes

    2024-04-22
      BOUNTIFUL HARVEST - Two crazy fermers stabbed to death two city girls who were lost in the countryside for the ritual to make the harvest bountiful...  DEATH MATCH
    46 minutes

    2024-04-22
      DEATH MATCH - Elements: MMA, Kicking, Boxing, Fighting to the death, Choking, Blood, Death Stares, Non Fatal Battles, Fatal Battles  

 

Experienced champions female  fights to the death find themselves powerless against young crazy girl fighters with no pity and no rules...
     MUMMY GUTS
    10 minutes

    2024-04-22
      MUMMY GUTS - The horror episode about crazy drunk son stabbed his mother and took out her guts.  BLOODY NAVELS HASS
    16 minutes

    2024-04-22
      BLOODY NAVELS HASS - The episode of the movie about belly stabbing with Hass.
     BLOODY NAVELS 1
    16 minutes

    2024-04-22
      BLOODY NAVELS 1 - The episode of the film with stabbing belly buttons elements.  TARGET IMPOSSIBLE
    19 minutes

    2024-04-06
      TARGET IMPOSSIBLE - TARGET IMPOSSIBLE
CUSTOM FILM
CAST: Unholy Polly, Kira Sekira
Written by HijoShi
Kira Sekira is a very exceptional/unusual criminal, she has already killed many people in her criminal activities in the past months (bank robbery, killing for fun in the street, targeting and killing rich persons, various fire arms assault for robberies... etc...), what is unusual is that no police forces in the world has succeeded to arrest her ! And we don't have any accurate informations about this Kira Sekira (Where she lives, her background, her nationality, her family etc...), we don't know why she is doing this and for whom she is working ? Maybe Kira Sekira is working for a powerful secret organization, she is a powerful professional ? The unabling of the authority to arrest her is worrying the global security.
 
That's why the global spy agency has decided to send its most skilled and powerful agent, Agent Holly 005 to target and arrest Kira Sekira and end up her criminal activities for good.
     MIRA GREEN DROWNED
    10 minutes

    2024-04-06
      MIRA GREEN DROWNED - MIRA DROWN
CUSTOM FILM
CAST: Mira Green and Eddie
The custom got inspiration from the 1980s slasher movie Deadly Intruder.
A female victim is drowned in her kitchen sink by a single male perp. While she is getting dunked, her bathrobe opens up and gradually slides down her body until she is essentially topless.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
HORROR HOTEL
BABYSITTER  MIRA GREEN IN PERIL 4K
    26 minutes

    2024-04-06
      MIRA GREEN IN PERIL 4K - MIRA GREEN IN PERIL
FILM IN 4K! 
CUSTOM FILM
CAST: Mira Green and Billy Brag

 	1. She is in a bathroom taking lipstick and parfum on. Now Mira takes a latex leggins/black leather leggins on, leather boots and a black leather jacket.  If she doesn't mind smoking, she could enlight a cigarette afterwards and we see her smoking in the bathroom while watching herself/her outfit in the mirror. We see the villain (in another room). He is looking at his mobile phone: on the screen of his mobile phone (close-up) we see a picture of Mira (probably in different clothes). Now we see him taking the gas mask over and taking chloroform bottle and cloth. Villain knocks on the door and we see him soaking the cloth with plenty of chloroform, Mira goes to open the door. She is attacked from front and driven with her back to the bathroom door. The villain presses the cloth on her face, after some struggeling and moaning her eyes begin to flutter, she goes out moaning, running down the bathroom door with the cloth still pressed on her mouth and nose. Bad Guy goes on his kneee and carries her over the shoulder. Mira is put on a sofa. The villain is soaking the cloth again and presses it over mouth and nose again  to keep her under (closeup of their faces). Than he takes pictures of the girl with his mobile phone and leaves the room. 

 	2. Mira wakes up slowly  and gets on her feet (she is still drugged and tired). The bad guy soaks the rag again with a good dose of Chloroform and approaches her. Mira recognizes him and is begging: "Please. You don't have to chloroform me again". She turns around and tries to get away, but stumbles. He catches her and presses the cloth over her mouth and nose. Mira tries to fight it, but after a short while her eyes flutter again and she goes out with a nice Little last moaning. The bad lifts her (cradle carry) and carrys her back to the sofa. The guy gags her with black tape and also ties her Hands with the tape. Meanwhile Mira wakes up slowly. she gets aware that she is tied and gagged. She stands up, leaves the sofa, and tries to open the door. But the bad guy has locked it. He soaks unhurriedly the Cloth again. Mira turns around and sees it. she knows what's coming and groans under the gag. The bad guy takes a step towards her, she tries to fend him off with her duct taped/tied hands, but he just pushes her arms away. Then he presses her (from the front) the cloth on mouth and nose, with his index finger and his middle finger framing her nose. She looks straight into the masked face, but after a short while her eyes are blurred, her eyes begin to flutter and she loses consciousness with a moan. Her head falls against his chest. He turns her over (with her back to her), constantly pushing the rag on her face until she slides to the floor. He puts the rag in his pocket, raises her and carries her back to the sofa. There he loosens the gag. Mira moans half unconscious and opens her eyes a crack wide. He takes the oxygen mask, tube and gastank. He turns the gas on. Mira meanwhile recovers more and more, the bad guy presses the mask over her mouth and nose, Mira tries to fight him off but has no chance. The mask is pressed over her face. She tries to hold her breath, but in her panic she sucks the gas in. After four to five breaths her eyes start to flutter again and she looses consciousnees. The bad guy keeps the mask for a few more seconsds on her face (close-up). The he turns the gass off (Hissing sound stops) and removes the mask. The villain leaves the room.

3. After a while Mira regains consciousness, she slowly sits up on the sofa, still groggy. The villain comes back, sneaking up from behind. Mira does not see him. He soaks the cloth and attacks her from behind. The are fighting (Mira on the sofa, her leaning over it from behind, to give you an idea, it should look like here:  He is groping her tits and puts her bra down. After some struggeling she is  nearly put to rest again (she is half unconscious). Mira is dragged back to the sofa. The villain puts the cloth on her face again and soakes it with lots of chloroform (while the cloth is already on her face). After some helpless struggelling Mira goes out moaning (close-up of her face). Now the villain carries Mira over the shoulder to a bedroom and starts to undress her. She awakes and he chloroforms her again, while she fights it as good as she can. Then he continues to undress her (she is still wearing her boots, leggins and bra). Then he gags her with a ballgag, he soaks the cloth again and presses it for a few seconds over her gagged mouth and under her nose (close-up of her face). The villain goes back to the living room. He takes an oxygen mask, tube and gastank. The villain returns to the bedroom. Mira wakes up again slowly and moans. She tries to crawl from the bed. Heturns the gas on (we here the hissing sound and see the gas escaping), puts it the mask over Miras mouth (with ballgag) and nose. Mira tries to hold her breath and fight it, but after a while she has to breath and after four to fives breaths she goes out like a light with a moan (close-up of her face). The villain keeps the mask a few more seconds o her face to make sure she is out. Then he turns the gas off (Hissing sound stops) and removes the mask. continues to undress Mira (takes her bra down, not off) and plays with her limp body. After a wile, she regains conscioussness. The villain chloroforms her again (only with the cloth, the oxygen mask is lying on the bed). Mira tries to fight it but goes out again (close-up of her face). Now the villain ties her ankles with duct tape. Meanwhile Mira recovers. The villains soaks the cloth again and chloroforms Mira another time. She struggles, but is put to rest again with a moan. At the end, the villain ties her hands with duct tape and presses the cloth for a few seconds over her  face. He continues playing with her limp body and takes another pictures with his mobile phone. After a while Mira awakens again and starts moaning. The bad guy takes the oxygen mask again, turns the gas on, puts it over her mouth and nose to keep her under. Then he fixes the straps of the mask behind her head and leaves the gas on to keep her under.  He takes some more pictures with his mobile phone and leaves.

    Random Crime House Clips more
     THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.  Extortion
    16 minutes
      Extortion - This clip has no description.
     DEATH OF SCARLETT IN 2070
    13 minutes
      DEATH OF SCARLETT IN 2070 - DEATH OF SCARLETT IN 2017

CUSTOM 

CAST: Scarlett Fandera and Tim 

«Thank you! The performance is great! I'm quite surprised by the VFX technique you used at the beginning, to show three victims at the same time. And also, Scarlett's performance is great! The makeup also very realistic! Looking forward for the next collaboration!»

Customer’s Review

Fetish elements: strangulation, poison,  realistic makeup, realistic performance, soft body, half-open eyes, half-open mouth, wet body



A doctor wants to show how people died in different ways, and how their body looks like.

So, he invite Scarlett to be his actress to show different ways of dying:

1. die of strange. struggle, and play her body, show her red face;

2. die of poison. struggle, Foaming at the mouth, wet skin, blood in nose. play her body; 

Show different face of dead woman:

1. close eyes. red lips, soft body;

2. half open eyes, pale lips, soft body; 

Abstract:

50 years later, scientists use clone people to do medical research. Prof. John is using few female clones to study how people die, and how they look like.

At 2070, clone people are considered have no human rights. So, the professor also want to do something special to Scarletts' bodys.

John has three clones of Scarlett, for four kinds of death to study: 1) strangle, 2) poisoned by opium, 3) poisoned by CO.

After they died, John also played their body, to show how they look like.  

Note: The professor will take photos of body. Please also send the photos to me. Thanks!  

Story: 

1. Introduction

John: I'm a professor, who study how people die. Now, in 2070, we have the ablity to study human's death by killing cloned people.

John: I have three clone woman. They will died soon, and we will see how they die.

 

2. Scarlett die of strangle

John: Firstly, we will show how people died of strangle! 

Scarlett: No! No! No! I'm also a human! Don't! Don't! 

He take a rope to strangle Scarlett. Scarlett has a very strong struggle. And getting weaker and weaker. Then she died.

When she is dead, her face is red. Her eyes are closed. And her mouth is open.

She died on bed, and her head is pull out of the edge of the bed.  

John: Let's leave her here for one day. See what happens tomorrow!   

Scarlett's face is still red, but darker. Blood come from her nose.

Professor play her body, to show the soft of her dead body. 

3. Scarlett die of opium 

John: OK, next is opium overdose.

Scarlett take too much opium and getting weak and sleepy. 

Soon, Scarlett is unconscious. John start to play her body. 

After she die, her eyes are half-open, mouth are open. Lips are pale. 

John take off her out-clothes to show her wet body. Then he start to play her body. 

4. Scarlett die of CO 

John: The thrid one is died of carbon monoxide. It is not observable, but she still will die!

Firstly, Scarlett is on bed and feel headache. She wants to get out of the room. 

But when she get off the bed and try to walk, she found she just cannot stand!

She try to climb to the door but died before get out.

When she is dying, she breath very quick and has intermittent twitch. And died in silence. 

When she is dead, her face has a cherry red color. Her eyes are half-open, and mouth also half-open.

John play her body to show her soft, and taking photos.

IF YOU LIKE THIS FILM PLEASE CHECK OUT

POSTMORTEM PHENOMENA  CAPTIVES 2
    17 minutes
      CAPTIVES 2 - CAPTIVES 2
ATTENTION! 2 SPECIAL OFFERS IN THIS VIDEO!
Very profitable purchase!
Custom Video

Brutal Execution!
Cast: 
Hass, Marina, Juliana, Alex, Kit 
Fetish elements:
Rebels, Execution, Shooting, Blood, Realism. Military, Bodypile
DON’T’T MISS
CAPTIVES
WHORE EXECUTION
WHORE EXECUTION 2
3 Female Rebels were caught and executed in the military object…
     HITMAN 30
    19 minutes
      HITMAN 30 - HITMAN 3.0
CUSTOM
Starring: Mira, Lili, Judi, Max
«All I can say is I am completely blown away with the custom. It far past exceeded how I envisioned it. From the set, to the costumes, all of it was executed so perfectly. I loved how you tied in all the details so well and captured exactly what I was looking for in scenes.You have without a shadow of a doubt confirmed I made the right decision to come to you with my script. I'm very much look forward to ordering more customs from you in the future! Thank you so much!»
Customer’s Review 
Fetish Elements:
Sexy agents, white shirts, black skirts, black stocking, shooting, masturbation before death, masturbation torture, interrogation, lifting and strangling, neck snap, body stripping, death stares, fighting, strangulation in the air, legs kicking, foot and leg fetish (a lot), girl is near to kill hitman, shooting with great bloody splashing effect (no fx – all is make with new technology), bodypile

GREAT FILM WITH NEW DARK ROOMS STANDARTS!

Plot
Three female agents were sent to office to kill the politician person. A hitman was sent to know who sent them and kill them all. First he shoots Judi from silencer to her body. She passed out, he striped her and when she awaked he started interrogation: who sent you? She didn’t answer because she knew what the organization could do with betrayers. It was better to die here and not to be tortured to the death by sadists from government secret services. Hitman tried to relax her and made her speak and started masturbate her when she was dying from the shot to her chest. She felt pain, she was dying and sweet feeling in her body from fingers of handsome hitman was strange cocktail of the sex and death.
Lili finds he body, The hitman goes to her from behind and starts to strangle her in the air. When she is unconscious he strips her and start to ask aggressively who sent her and after she realized she was not going to answer he broke her neck.
The third agent, young, brave and strong sexy Mila  was going to fight hard.  Hitman strangles her for unconscious condition and started find any peg who sent them. When he put off her stockings the little paper card fall to the floor with  a name and number of coordinates. Well, Hitman knew some more information where to go and search for more information. Mira opened her eyes and immediately caught hitman’s neck by her sexy legs, seat on him and tried to stab him. Hitman grabbed a gun and shot her to the death…

OF YOU LIKE THIS FILM PLEACE CHECK OUT
HITMAN 2.0  ALL SHE HAD TO DO WAS TELL
    23 minutes
      ALL SHE HAD TO DO WAS TELL - ALL SHE HAD TO DO WAS TELL

CUSTOM MOVIE

Cast: Tatiana, Max

Elements: Beating, Tortures, Death, Hanging Imitation Of Suicide


Tatiana is suspected of being a spy with valuable knowledge, or knowing where a USB memory stick with that knowledge is.  One cold winter night, at a bar, in the mood for sex, she unwittingly succumbs to the advances of a counter-spy, and goes up to his hotel room.
Quickly, he reveals himself as her enemy.  He draws a pistol and throws her up against a wall.  She stand with her back to the wall.  He sits in a chair facing her, pistol on her.  He tells her he knows everything, and repeatedly asks her to reveal the information, or tell him where it is.  Each time she  denies she knows anything, he forces her to strip a little.
First, he forces her remove her hat, then her scarf, then her coat, with each demand/refusal.  Then her blouse.  Then her skirt.  She is left standing, back against the wall, in her bra, panties, garter belt, high heels and black lacy stockings.
Each time she strips a little, she refuses to reveal the information, or even admit that she even knows what’s going on.
The man tell her to unhook her bra and hold it wide.  She protests, afraid he will hurt her breasts.  He tells her he certainly will do so, and more, if she doesn’t comply.
She unhooks her bra and holds it wide, exposing her breasts.  He points his pistol at one of her breasts and tell her he will shoot her there if she doesn’t tell him what he wants to know.  She refuses, again denying any knowledge of what he demands.
He approaches her and puts the muzzle of the pistol over the nipple of one breast, and asks her again for the information.  She still denies any knowledge, but she continues to hold her bra open.  He pushes the pistol into her breast, hard against her ribs.  She cries with pain, but refuses to give any information.  He jabs the pistol several times into her breast, knocking her against the wall with the force, and she gasps with pain each time, but she submits to the abuse and admits nothing.
He steps back, angered and frustrated.  Tatiana is still holding her bra open for him.  He fiercely demands she give him the information, or tell him where to find it.  When she refuses, he slaps her face.  Again he demands, she refused, and he slaps her again.  Again, he demands, she refuses and now he strikes her face with his pistol.
She collapses to the floor.  He drags her by her feet into the middle of the room.  Her bra comes off as she is dragged.  She lies fully extended,  on her side, arms above her head.  Furious at her, he kicks her in the breasts, rolling her over once.  Then again, rolling her completely over, and finally a third time.  She rolls onto her back and he stomps once on her breasts.  She gasps and bounces off the floor, but takes the punishment.  Standing over her, he demands on price of her life she reveal everything.  She refuses.
Her grabs her hair, pulls her up, drags her to the bed and throws her onto it.  He shoves her up against the headboard.  She is sitting up, back against the headboard.  He hold her there by her hair and asks her if she knows what he’s talking about, but just won’t tell him.  She finally admits she does know, but will never tell.
He tells her that if she doesn’t reveal all, he will beat her to death.  She spreads her arms wide, exposing herself to his threat, and tells him to go right ahead and kill her.
Enraged, he punches her in the breasts, again and again and again, harder and harder.  She remains sitting up against the headboard, taking each punch, not even trying to protect herself, bouncing with each increasingly harder blow.  Occasionally, he punches her in the stomach, just to get her to bend over so he can punch upward into her breasts as they hang down.  Gradually, after dozens and dozens of blows right on her nipples, she slowly, gradually, goes limp.
Her eyes are open, but rolled back.  She seems dead, but could be pretending.  He takes her by the throat and viciously punches her breast five times.  If she is alive, she does not react.
Disgusted, he throws her across the bed.  On her back, she hangs off the edge, arms and head toward the floor, breasts pointed at the ceiling.   He straddles her, tells her that he knows she is alive, and grabs her breasts.  He pulls her up by her breasts so she is sitting up in front of him, then holds her up by one breast as he slaps her face, back and forth, demanding she not be dead, and to wake up and tell him what he needs to know, or his own bosses will kill him.
It’s too late.  She really is dead.
He lets her fall back onto the bed, hanging off  the edge as before.
To cover his tracks, he ties her hands behind her, drags her into the hotel closet, ties a rope around her neck in a noose, and hangs her from the closet clothes rack, as if she had been giving herself pleasure with self-asphyxiation.  He smiles as he twists one of her nipples, to show his superiority and to degrade her, since she is dead and can no longer feel anything.
Finally, he rummages through her clothes, and finds the USB memory stick in one pocket.  She had it all along.  He gives her a look of contempt as he leaves her.

IF YOU LIKE THIS FILM PLEASE CHECK OUT
DATING TO THE TRASH
BEATING AND STRANGLING POLICE WOMAN

    Welcome to Crime House
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 961 Clips / 16510 minutes of video!

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