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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 963 Clips / 16552 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER](studio/images/what_can_you_tell_to_my_gun_screens1-63e.jpg "WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER")
![ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION](studio/images/annabelleauditionmicro-ae2.jpg "ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION")
