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    Most Recent Crime House Videos! more
     HITWOMEN SHOWDOWNS
    1 minutes

    2025-03-30
      HITWOMEN SHOWDOWNS - TAGS: Angelina, Vika Brown, Ksysha Zaichuk, Strangulation, Choking, Bodypile, Office Clothes 
A hitwomen is sent on a mission to eliminate a previous agent who went rogue. The hitwomen is given the location of the agent and infiltrates her apartment. Unfortunately for her there is one guard standing in her way. Our hitwomen is a master of manipulation however and says there is a gas leak and she was sent to evaluate it, using this distraction she is able to get inside the apartment and garrote the guard to death. She then drags her corpse inside one of the rooms in the apartment and begins to undress as she now will disguise herself as the guard. Before she is able to fully disguise herself however she hears someone in the bathroom. Being surprised as she thought the room was empty, she freezes and the door opens, the rogue agent catching the hitwomen in the act. A fight to the death begins and this ends with the hitwomen getting her neck snapped, but before she is almost dead, she stabs the rogue agent with a pen filled with deadly poision. The rogue agent didn't notice however in the heat of fighting for her life so she begins to search the dead hitwomen for identification, when she finds out that the hitwomen was sent from her previous organization she notices that she's feeling a little dizzy and instantly suspects poison. She then frantically searches the corpse looking for an antidote until her heart stops and she collapses to the floor dead. The last scene will be an aftermath just showing the 3 dead ladies lined up side by side on the floor. The end.

15 minutes. 746 MB
18$  THE GREATEST SLAUGHTER 2 PARTS IN ONE
    150 minutes

    2025-03-07
      THE GREATEST SLAUGHTER 2 PARTS IN ONE - 1: Police department has an investigation against video streaming criminals who shoot tortures and killing online. Brave and sexy policewoman Zlata arrested one of the members of criminals but later she was kidnapped by a maniac girl (Kira Sekira) and was terrible tortured and killed in live show. Her partner officer Mira Green watched this massacre online. It’s not the end, watch part 2!
2: The police officer Mira Green finds a scary «gift» under her door – the cut head of her partner Zlata. The game against the gang of media maniacs who promote terrible show continues. Kira is still alive and her partner can be involved in the gang as a double agent…
     RUTHLESS EXECUTION OF THE COPS
    45 minutes

    2025-03-07
      RUTHLESS EXECUTION OF THE COPS - CUSTOM
45 MINUTES!
VERY CRUEL! HANGED MAN AND WOMEN. SPANKING. HUMILATION. NUDITY!
The Greatest Price Hear!
Three cops (Man and Women) Were Kidnapped by criminals and executed..

3 cops - Janina Angelina and Max are dressed in uniforms - they are captured by gunmen - cops surrender their guns - walk to wall with their hands up - they face the wall with their hands up on the wall and one by one gunmen zip tie their hands behind their backs - they are told to face the gunmen and get on their knees -   Gunmen tell cops their orders are to kill them - Gunmen tell each cop to say their name and their age - they do.  Gunmen order cops to open their mouths - then look up -  1 gunman puts a gun in the Angelinas mouth while other gunman calls the boss to make sure this is what they want - gunmen slides the gun in and out of  the mouths of all 3 cops telling them to keep looking up with their mouths open telling them he hopes to shoot them now- other gunman  hangs up the phone saying dont shoot them - Gunmen are very disappointed "Boss wants us to bring them in" - Cops are stood  and they are led out of the building into the implied van

1 by 1 we see each cop nude with their hands up being led up stairs (Screenshot 685)   They are lined up at the top of the stairs to be ball gagged and have their hands zip tied behind their backs 

We see them enter "another building" after implied van ride - now nude -ball gagged - hands zip tied behind their backs- they are walked into a large room  - the cops are lined up along a wall facing the gunmen.   Along one wall of the room are 3 nooses dangling over 3 stools - Along another wall are 3 dog cages  - over the dog cages is a framed picture of a large bonfire and  along the top of the wall  are the severed heads of prior murder victims or framed pictures of prior murder victims 

The cops  are sat in 3 chairs in the middle of the room and the video cameras are started and the broadcast begins:

Gunmen is giving instructions to the cops then says "We have captured 3 cops - here in this room with souvenirs of prior victims lets hear from them - Gag is removed from Janina who says
"I am Janina from Precinct 3 - Cops Angelina Max and I have been captured by these guys and they want to broadcast us so you can see us nude tied up and they will gag me again so we will all be gagged.   They tell me you will see us noosed to hang - you will see us locked in dog cages - and you will see us tied to posts"   Gunman regags Janina and removes the gag from Angelina so Angelina can speak

Angelina "I am Angelina   They are saying that when we are locked in the dog cages they may want to throw us in a bonfire"  And Angelina is regagged and the gag is removed from Max

Max "I  am Max They say when we willl be tied to posts to be whipped and then beat to death with baseball bats"
Max is regagged

After some time gunman phone rings - he hangs up and very happily says "That was the boss - we can prepare these cops to kill them"

Next scene
Gunmen approach the 3 cops sitting in the chairs - they are stood and escorted to the noosed - each is helped up the stool and noosed - We see each cop on a stool - noosed - nude - ballgagged - hands zip tied behind their backs - we see them from the front and the back

Next scene
Gunmen approach the 3 cops sitting in the chairs - Gunmen remove the zip ties tying their hands and the cops are walk to a far wall - they are told to grab their ankles -  they do - we see them from their rear and front - then they are stood - their wrists are tied in front of them (Pic awrist) and their ankles are restrained together (Pic aleg) then they are told to get on the floor on all fours  (Screenshot 688)and  forced to crawl on all fours into their cages (Screenshot 689) -Gunmen lock the cages with padlocks
We see the cops locked in their cages (Screenshot 690)

Next scene
Gunman approach 3 cops sitting in chairs - They escort cops to x frame posts and secure each cop to a post facing the post - whips and baseball bats are brought out (Please mimic the scene from "Execution of Female Lawyers" Video from the 15 minute 40 second mark to 17 minutes 20 seconds of how the cops are brought to the posts and secured)

Next scene
3 cops are noosed and on stools - they are nude gagged hands zip tied behind their backs - stools are kicked out from under them and they hang

Next scene

Cops are locked in the dog cages- The dog cages are by the door to be taken outside to the fire -Gunmen are going in and out of the room talking about building the fire - they talk about adding more hay - more wood - gasoline, etc 
Next scene(s)

1 by 1 we see each cop tied to x frame post - facing post - Gunmen whip their butts - Gunmen turn the cops around and secure them to x frame posts facing them to whip their boobs- once they have finished whipping their boobs the women are gagged again and the men exchange the whips for baseball bats to beat them to death ( Please mimic the whipping scene from "Execution of Female Lawyers" video from the 17 minute 20 second mark to the 21 minute 40 second mark to where they now gagged and ready  to be beat to death by baseball bats)


Second unrelated scenario

The women are led into room at gunpoint by gunmen - They are in very nice dresses, make up, etc - their hands are tied behind their backs - They are sat in the room and told to stay quiet

Gunmen bring  stools into the room and hang nooses over the stools - women start to panic and plead - Gunmen are angry - Women are lined up facing the wall and gunmen pull down their panties - women are ordered to turn around and they are gagged with their panties held in by clear tape

Women are put back in the chairs as men finish hanging the nooses - 

In the next scene we see the women tied in the chairs - gagged with panties held in by clear tape - but wearing bra and panties and they are blindfolded

Gunmen remove their blindfolds and show them the nooses from where they will hang

Video cameras are set up to watch the gunmen escort the ladies up the stools and noose them

We see the women on stools noosed from their front and back while gunmen tie ropes to the stools which will be used to pull the stools out from under the women  THE STREAMER AND HER FAN
    20 minutes

    2025-03-07
      THE STREAMER AND HER FAN - CUSTOM
Chloroform, Peril, Knicked Out, Kidnapping
Mira acts young video games streamer alone at her room. She is suddenly attacked by her fan who was able to enter her house for being with her closer. Poor girls is very frightened and it’s her the most scary moments…
     INNOCENCE CONDEMNED
    20 minutes

    2025-02-11
      INNOCENCE CONDEMNED - Bika Brown was executed by lethal injection.  DO NOT PLAY WITH EVIL BABES 3
    42 minutes

    2025-02-04
      DO NOT PLAY WITH EVIL BABES 3 - Set of conflicts between not so kind men and evil girls who can punish them.
     MODERN HANGING EXECUTION
    9 minutes

    2025-02-04
      MODERN HANGING EXECUTION - TAGS: Annabelle, Hanging
It’s the fantasy film about execution in fantastic dark futuristic world.  CHLOROFORMED SPIES
    27 minutes

    2025-01-13
      CHLOROFORMED SPIES - NEW MOVIE WITH ANNABELLE AFTER HER LONG PAUSE!

Tags: Annabelle, Julia Wood, MaryAnn, Chloroform, Office Clothes, Peril

The spy is sent to eliminate female spies by chloroformed and find secret  dates with information.

2 EPISODES WITH 3 SCENES IN THE EACH ONE

HAS GREAD BEHIND THE SCENES AT THE END!

 

CHECK OUT OUR SIMILAR MOVIES AT OUR STORES:

PERFECT COVID 19 CURE

THREE STORIES OF CHLOROFORM

SPY IN PERIL

ANNBELLE CHLORO ASSAULT

AGENTS IN PERIL
     THE LEAGER OF FEMALE KILLERS 2 Female Targets
    47 minutes

    2025-01-13
      THE LEAGER OF FEMALE KILLERS 2 Female Targets - THE LEAGER OF FEMALE KILLERS 2 (Female Targets)
TAGS: Li, Mira Green, Bella Lenina, Unholly Polly, Strangulation, Choking, Bagging, Gore, Topless Scenes, Full Length Movie, Many Scenes, Female Killer in Leather, Boots  

24$
47 MINUTES!
The scenes only about women eliminating female.  THE LEAGER OF FEMALE KILLERS 2 Male Targets
    46 minutes

    2025-01-13
      THE LEAGER OF FEMALE KILLERS 2 Male Targets - THE LEAGER OF FEMALE KILLERS 2 (Male Targets)
TAGS: Li, Mira Green, Bella Lenina, Unholly Polly, Strangulation, Choking, FemDom, Topless Scenes, Full Length Movie, Many Scenes, Female Killer in Leather , Boots 
24$
46 MINUTES!
The scenes only about women eliminating men.

    Random Crime House Clips more
     I COULNDT SAVE
    13 minutes
      I COULNDT SAVE - I COULD’T SAVE
Custom Movie
BY THE SCRIPTWRITER OF CLONES AND CLONES-2
Starring: Irina (New Model), Annabelle, Mary, Pola
17 DEATHS
13 GUN-SHOOTING
3 MACHINE-GUNS
1 NECK BREAK
MANY CLOTHES AND STYLES. MANY STOCKINGS FETISHES.
 DEATH REACTIONS. DEATH STARES WITH CLOSED AND OPENED EYES.
SEXY POSES. NEW SEXY REDHEAD MODEL AVAILABLE FOR CUSTOMS
VERY GOOD LIGHT, EFFECTS, LOCATIONS AND DIGITAL BLOOD
IT’S THE BEST OF SHOT-DEAD COCKTAIL IN OUR BEST TRADITIONS OF HD QUALITY
TEAM OF PROFESSIONALS WORK HARD FOR YOU

Plot
An agent gets a signal for help. Rich safe house with many females-agents in it is attacked by female assassin. He rushes for help but it was too late. He killed the bad girl but it was nobody alive to being saved…
If you like this clip please also check out:
CLONES
CLONES 2  ANNABELLES AUDITION
    19 minutes
      ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst  giving strong performances in the three death scenes. 
The production quality is good».
Customer’s Review 
PLOT 
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while.  Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke. 
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down. 
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go. 
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].

IF YOU LIKE THIS FILM PLEASE CHECK OUT

DEADLY SEDUCTION
     Deadly Home Invasion
    10 minutes
      Deadly Home Invasion - Sexy tall russian brunette with long legs

starring: luiza, angelina and kit

two ***** live together in the flat. They are young, beautiful. Their casual lifestyle is facebook, clubs, parties, college. So, it’s typical life, it’s typical day. Angelina is using her fitness machine,  luiza is relaxing in the bed next room and chating with her friends. It’s summertime. Birds are singing sings on the street, the sun is shining so brightly! Does this pretty day look like the last day in their young lives?

a man with a gun enters *****’ flat. Angelina gets a bullet in her stomach first. Her neighbor luiza is running iut  when she hears a bang but she gets a bullet too. They are suffering in agony. Why, why this warm sunny day is so cruel for them? They ae lying on the floor and  bleeding out together. They are begging for mercy but a murder shoots them ******.

they are dead with surprised faces. Their leggy bodies are still warm and sexy. A man carries corpses to the hall, strips them and puts into the wardrobe. Birds are singing their summer songs, indifferent sun is shining for all living people but not for the ***** any more. They are dead sitting in the dark wardrobe.

 

fetish elements

ultra sexy jean shorts, fitness clothes, shooting, *****, begging for life, deat stares. Body dragging, postmortem stripping, touching dead bodies. 



very realistic sexy movie made in 1980-s american slashers  and italian giallo style  DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


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SHORT SHORTS

And check out
9 stabbing of Nata
     GORY PHOTOSESSION part 2
    7 minutes
      GORY PHOTOSESSION part 2 - Gory Photosession 2
Part 2
В ролях: Kate, George
Fetish elements: beheading, blow to the head, brain, crushing the head, brains outside, posthumous agony, blood, lots of blood, wrap the body in cellophane

The administrator of the studio goes to check the hall after the photo session. The girl sees dirty bloody divorces, and thinks that this is part of the props. She undresses not to get her clothes dirty and starts cleaning up the studio. But the photographer-maniac approaches her with an ax, frightens her, puts it into a stupor and strikes him with an ax in the head! The girl stands motionless, and from her head fall slimy brains directly to the floor. The brainless woman looks at her brain with a reflexive look next to her, and then falls, and the body long agonizes like a decapitated chicken, yielding to a reflex. After some time, the dead body stops jerking. The photographer licks her brains, inserts it into her hand and wraps it in cellophane tape.
If you like this video please check out
Gory Photo session 1
Expedition 
Machete Skill  ASSASSIN VS ASSASSIN
    23 minutes
      ASSASSIN VS ASSASSIN - ASSASSIN VS ASSASSIN
CUSTOM
Cast: Angelina and Xena
«I've seen a lot of Stabbing videos and this is easily one of the Best I've ever seen.

Angelina did not disappoint. It's always fun watching her and how much personality she brings, both as the victim and the killer. As the victim, her cries of anguish really sold the stabbings. As the killer, she surprised me by getting wonderfully maniacal, which made that part of the video even more entertaining.

Admittedly, I was taking a gamble with Xena since I hadn't seen any of her videos prior to this. But, it was a good gamble because she did an excellent job as well. She was very sexy both as the killer and the victim.

The only disappointing thing was that I could tell they were just pantomiming the kissing scenes. I'm guessing that was done as a COVID-19 precaution. Though it is unfortunate, it is understandable. Regardless, the film was still very enjoyable and worth the wait»

Customer’s Review 
MANY SUPER STABBINGS AND SHOOTINGS!

A Rogue Agent, Angelina returns to the apartment she is using as a safe house.  She wears blue jeans (possibly with a belt), a black leather jacket, a sleeveless tank top (a dark color or white), and high heel boots (preferably black), her hair is tied back in a ponytail or braid, light make up/natural look, and no nail polish unless it’s black, a dark color, white, or clear.  
She sees that a section of the wall and floor of the living room (it doesn’t have to be the living room) is covered by plastic (or a tarp, whichever is easier/looks better)) and immediately knows something is off.  
An Assassin, Xena, comes out of hiding and aims her pistol (with a silencer) at Angelina’s head.  She wears blue jeans, a sleeveless tank top (a dark color), and high heel boots (preferably black), her hair is tied back in a ponytail or braid, light make up/natural look, and no nail polish unless it’s black, a dark color, white, or clear.
Xena chuckles.
Xena suddenly stabs her in the abdomen.  Angelina looks at the knife and Xena in shock.  Xena stabs her in the abdomen again.  And then a third time.  Xena twists the blade, causing Angelina to groan/moan in pain. (Maybe sometimes she stabs her in the same place.  If need be, this section can be shortened to two stabs with Xena twisting the blade on the 2nd stab.) 
Xena smiles in satisfaction and makes out with her and Angelina can’t help kissing her back.
She then stabs Angelina in the chest with a downward strike.  Angelina looks dazed.  Xena holds it in for a few seconds then stabs her in the chest again.  She then stabs her in the chest a third time. (Maybe sometimes she stabs her in the same place.  If need be, this section can be shortened to two stabs.)
Xena pulls out the knife, aims it at Angelina’s abdomen, then stabs her four more times (taking a second or two between each stab).  She then stabs her fifth time, this time slowly driving it into Angelina’s abdomen and the twisting the blade a couple times.  (Maybe sometimes she stabs her in the same place)
She pulls out the knife.  Angelina takes a couple staggering steps forward.  Xena easily pushes her back against the wall and makes out with her some more and slowly gropes her breasts.  She then spends some time licking and sucking on Angelina’s tits. 
Xena aims the knife at one of Angelina’s nipples and slowly drives it into her.  
She then does the same to Angelina’s other nipple.  Both times the pain is almost orgasmic.
She turns Angelina around to face the wall and uncuffs her.
She tosses the cuffs aside, turns Angelina back around, and watches for a moment as she struggles to cling to life.
Xena stabs her in the chest in a downward strike four more times, taking a second or two between each stab.  (Maybe sometimes she stabs her in the same place.  If need be, this section can be shortened to three stabs.)
Xena smirks, impressed.  She then grabs Angelina by the throat and aims the knife where the entrance to her pussy would be.
Angelina just glares at her.
Xena drives the blade into Angelina’s pussy.  She gasps and her eyes roll back.  Xena holds it inside her and watches her dazed orgasmic reaction.  Her body begins to spasm, inadvertently making her fuck the blade.  She decides to help, fucking Angelina with the knife.  She finally pulls it out.  Blood and piss spill from Angelina.
After a few seconds, Angelina drops to her knees, and her face lands against Xena’ belly.  Xena holds her head there, cradling it.  Xena laughs manically while Angelina clings to life, her body shivering and/or spasming.
Xena gets down on one knee (or both knees) so she can look Angelina in the eyes.  She kisses her.
Xena considers this for a second (or at least pretends to)
She then slowly drives the knife into Angelina’s heart, then twists the blade two times.  Gradually, Angelina lays down (possibly into the pool of blood and piss), Xena guiding/helping.  Xena watches as Angelina’s life begins slips away.  She gives Angelina one last kiss goodbye.  Wanting her to suffer till her last breath, Xena pulls out the knife and slowly drives it into the base of Angelina’s throat.  
Angelina gradually dies, her dead eyes staring into Xena’s (possible POV).
Xena pulls the knife out, then straightens Angelina out (if need be), and as she looks down at her (body pans), she becomes mesmerized by the peaceful look on Angelina’s face, turning it back and forth and stroking it.  She slowly makes out with her, savoring the taste and unique feeling of the dead girl’s unresponsive lips, all while groping her breasts.  Gradually she moves down, kissing and nibbling on her neck, and then sucking on her breasts, enjoying the taste of her blood.  She then makes out with her some more.  
She takes Angelina’s hands and runs them up and down her body, making her grope her breasts (Xena’s), enjoying the feel of her dead lover’s hands.  She then makes out with her some more. 
Inevitably, throughout all this Xena can’t help getting Angelina’s blood on her and she enjoys it.  Maybe she rubs it on herself every now and then. 
As she stares at Angelina’s dead face her blood lust takes over and she stabs Angelina three more times in the chest (it can be shortened to two stabs, if need be), twice in the abdomen (it can be shortened to one stab, if need be), then two more times in the chest (it can be shortened to one stab, if need be).  She pauses between each stab to savor it.  She then stabs the top of her pussy mound.  She then aims the knife at the entry of her pussy and stabs her pussy three more times (a couple seconds between each stab, or it can be shortened to one stab, if need be) and then fucks her with the knife. 
She then makes out with her again, hard and angrily this time but then gradually getting softer and more loving.
She then slowly drives the knife into Angelina’s heart one last time and leaves it there.  Xena gives her one final deep kiss then walks away.  Body pans, ending with a close up of Angelina’s face (This appears to be the end).
Xena pulls out her phone and makes a call.
Angelina suddenly inhales, slowly sits up, and stands (almost as if she were a zombie).  She sees Xena has her back turned.  She glares at her as she pulls the knife out of her chest and approaches.
Angelina suddenly grabs Xena from behind and stabs her in the back, causing her to drop her phone.  The Boss calls out to Xena from the phone. Angelina then stabs her in the back a second and third time.  (If need be, this section can be shortened to one stab)
Angelina puts Xena up against the wall and stabs her in the abdomen then twists the blade to causing Xena to groan/moan.  Xena looks at the knife and Angelina in shock.  
She twists the blade again, causing her more pain.
Angelina smiles in satisfaction and makes out with her and Xena can’t help kissing her back.
She roughly pulls the knife out of Xena, causing her more pain.  As Xena clutches her wound, moaning in pain, Angelina retrieves Xena’s gun and aims it at her.
XENA (chuckles): I guess I should consider myself lucky.  You always end the fun quickly.
ANGELINA: It’s called being efficient.  And for you, I’ll make an exception.    
Angelina suddenly shoots Xena in the base of her throat.  For a moment Xena is shocked as her hand goes to the wound in her throat.  It becomes increasingly difficult for her to breathe.
Angelina grabs a chair and places it on the plastic for Xena.  As Xena sits down, blood streams from her throat as she lets out labored wheezing breaths. 
ANGELINA: Having trouble breathing?  Don’t worry.  We have plenty of time before the fun is over.
Angelina puts the gun to the side.  (Maybe she grabs another chair for herself, or she can bend/crouch down.  Whatever is easier/looks better).
She strokes Xena’s faces and makes out with her.  She takes her time, slowly making out with Xena, slowly yet roughly groping, licking, and sucking on her breasts, kissing and licking her abdomen, licking the blood, and rubbing her crotch.  All the while, Xena continues to let out labored wheezing breaths as she chokes on the bullet.  She doesn’t resist.  She is too weak. 
After a while, Angelina grabs the gun.  Crouching down, she holds Xena from behind, grabbing her breasts as she slowly aims the gun.  She then shoots Xena twice in the pelvis.  Xena pisses herself. 
Angelina smiles and maybe chuckles in satisfaction.  She then continues to make out with Xena and grope her body for a while longer.  All the while Xena’s wheezing breaths become increasingly labored, her body shutters, her eyes are dazed.
After a while, Angelina walks in front of Xena.  She aims the gun right at where the entrance to Xena’s pussy would be.  She gives Xena a few seconds to think about it, the fires, shooting Xena right in the pussy.  Xena bucks forward, clutching her pussy, and slowly falls to the floor, landing in her own piss (and possibly Angelina’s piss as well).
Angelina watches, enjoying the sight of Xena’s eyes rolling back and her body spasming as her wheezing breaths become increasingly labored.  It’s almost orgasmic.  She doesn’t have long.
Angelina turns Xena onto her back (unless she is already on her back) and makes out with her some more.  She then stares into Xena’s eyes as she gradually takes her last wheezing breath, her dead eyes staring into Angelina’s (up close and intimate, possible POV).      
ANGELINA: See you in Hell, my love.  Save me a spot by the fire.  
Angelina becomes mesmerized by the peaceful look on Xena’ face and slowly makes out with her, savoring the taste and unique feeling of the dead girl’s unresponsive lips, all while groping her breasts.  Gradually she moves down, kissing and nibbling on her neck, then sucking on her breasts.  She then makes out with her some more.  
She takes Xena’ hands and runs them up and down her body, making her grope her breasts (Angelina’s), enjoying the feel of her dead lover’s hands.  She then makes out with her some more. 
Inevitably, throughout all this Angelina can’t help getting Xena’ blood on her and she enjoys it.  Maybe she rubs it on herself every now and then. 
As she stares at Xena’ dead face her blood lust takes over.  She takes the knife and stabs Xena in the pussy and then fucks her with the knife.
She then makes out with her again, hard and angrily this time but then gradually getting softer and more loving.
Angelina gives her one final deep kiss then stands and looks her over (body pans).  She then picks up the gun shoots Xena three times in the forehead (taking a second or two between shots) in the same place, making the wound bigger. (Angelina POV)
Angelina picks up Xena’ phone.  The Boss continues to call for Xena.
ANGELINA: She dead.  And you’re next.     
Angelina hangs up.  She looks at the dead Xena and herself.  What a mess.  At least her victim brought cleaning supplies.  
She strides toward the bathroom to get cleaned up, almost like a bloody yet triumphant zombie. 
(Kind of similar to the final victory march in Capture the Flag Part 2 at 5:28: 
Our final body pans, ending with a close up of Xena’ face staring at us.
The dialogue is more of a guideline, so feel free to have the models improvise if they like. 
Feel free to include any bloopers or outtakes at the end.  Maybe even a bonus scene of the girls getting cleaned up afterwards. 


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GUTTED GIRLFRIEND

    Welcome to Crime House
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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