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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
