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    Most Recent Crime House Videos! more
     PANTYHOSE SPIES 2
    12 minutes

    2024-05-20
      PANTYHOSE SPIES 2 - PANTYHOSE SPIES 2
CUSTOM
Starring: Unholly Polly, Demonica, Billy Brag
TAGS: Demonica, Unholly Polly, Gore, Pantyhose, Shooting, Police Stories
PLOT
Two successful, dangerous, highly paid female spies are rejoicing over a successfully completed mission, for which a large payment has just been transferred to their account. Girls love money and greedily take on any task. But they don’t have time to enjoy the anticipation of how they will manage the big money when they suddenly hear the sounds of an alarm siren. An enraged, ultra-strong and brutal security guard sneaks up behind you and instantly cuts the alarmed girls' throats. But he deliberately runs the knife blade across their necks so that the girls survive and remain conscious, only wounding them without hitting the arteries. Bleeding, the girls try to continue the battle and engage in a shootout. But the attacks and wounds disoriented them, so the guard was left with a great advantage and riddled them with bullets, but still left them alive to finish them off one by one after snide phrases. When they are dead, he strips the bodies down to their tights.
PURCHASE ALSO PANTYHOSE SPIES!  PANTYHOSE SPIES ESCAPE FROM PRISON
    23 minutes

    2024-05-18
      PANTYHOSE SPIES ESCAPE FROM PRISON - PANTYHOSE SPIES (ESCAPE FROM PRISON)

CUSTOM

Starring: Li, Janina, Unholly Polly, Billy Brag

 

Elements: Firefight, Many Wounds, Bloody, Shooting, Emotional Deaths, Agonies, Death Stares, Chest Shots, Pussy Shots, Bodypile

 

GREAT "GIRLS IN PRISON» EXPLOITATION B-MOVIE WITH GREAT EROTIC SCENES!


Shooting, Fetish Focus, Blood, Death Stares and Great Death Scenes are in old-school Crime House-Dark Rooms style but with our new cinematic experience! Highly Recommended for purchasing!

 

PLOT

 

Three daring girls escape from prison where they were imprisoned for hooliganism. The escape is almost successful, but it is not enough for the girls to be free. They want to get into the main office of the prison warden, get a plan and keys to all the cells in order to free other prisoners and start a real riot. They tear off their prison robes and remain naked to wear sexy costumes made entirely of pantyhose. This is their feminist rebellion and flash mob, imitation of Kubrick’s criminals, worship of freedom, sexuality and independence.

They also got weapons - three pistols, and feel like brave, daring and invulnerable rebel girls with pistols.

However, everything changes when the alarm rings and an armed guard enters the premises. Janina is the first to panic and rush into battle, but fear and shock force her to be careless. Li and Polly duck for cover. Janina was bold and perky, but when she came face to face with danger, she lost her skill and was the first to be riddled with high-caliber bullets that pierced her lower abdomen, chest and other parts of her body, including her vagina. She squirmed in shock, making frightened and painful grimaces, bulging her eyes wide, grunting and convulsively clutching the wounds of her completely damaged body, fell on her side and was still shaking. She was ashamed in front of the girls that they saw her so frightened, a loser, pathetic and having met her death so dishonestly. Finally, after the agony, the end comes to her and she died with her eyes wide open.

Polly is shocked by Janina's death, because the deceased was their unofficial leader. Polly comes out of cover, trying to shoot back, but the next round of bullets falls on Polly. The girl was confused by the thought that her inevitable end had come. After all, if it weren’t for this escape and escape, she would soon be released. She looks at Janina's corpse and realizes that in a matter of seconds she will be just as dead. She makes an expression of despair, pain and resentment, blood flows profusely from her mouth and she falls on her back to suffer and agonize before the end.

Li leans out of her hiding place and is shocked to see her dead friends. She's scared like a hunted rabbit. The realization of the deadly trap has not yet come and she heroically rushes into battle on adrenaline, but the guard shoots her at point-blank range many times. Being the youngest of all three girls, Li is most indignant at death and, already mortally wounded, tries to shoot, but her weakening hand lets go of the gun, and the girl falls dead with the most stunned death stare.

The guard looks at three dead girls dressed only in pantyhose lying in bodypile.
     SLAVES ELIMINATION
    20 minutes

    2024-05-12
      SLAVES ELIMINATION - Kira Sekira, Li, Mira Green, Plastic Bag, Female Killer in Leather
«I just watched it, it looks really nice, thank you, especially outfits are exactly as I wanted and everything is exactly according to the script. Please pass on my thanks to the actresses and the entire crew, very good job.»
Review of Customer

Three ACTRESSES are required:
    1) Guard (outfit similar to attached but with belt in panties and everything dark).
    2) Slave (higher rank, outfit similar to attached but with belt in jeans and jeans should be darker, t-shirt dark).
    3) Slave (lower rank, outfit similar to attached but with belt in jeans).

Video should start with the Guard walking (please show actual walk) and then entering the room where lower rank slave stands straight with her hands behind her head being disciplined by higher rank slave who is responsible for torturing lower rank slaves all day long. After seeing the guard higher rank slave quickly corrects lower rank slave's position and also stands with the same position (hands behind head) in line with her. The Guard asks higher rank slave if she remembers that this slave needs to be executed in an hour. Higher rank slave confirmes and ensures that everything will be ready. The Guard leaves the room.

Higher rank slave checks the time. She explains to her slave that she's going to be executed today and that the more problems she's going to cause the more painful this is going to be. She should keep her hands behind her head all the time and listen to the orders and then everything should go fast and easy. Then she orders her to kneel and leaves to bring the gag. After putting the gag on the mouth they are going to the execution place. This should be quite long and slow travel.

After arriving at the place of the execution higher rank slave orders her slave to clean up this room and prepare everything. She is getting more and more nervous as time is running out, so she shouts and rushes her slave. Lower rank slave is really scared, she should keep her hands behind her head if she happens to be empty-handed, but she forgets about this all the time which makes higher rank slave even more angry. Finally everything is ready when higher rank slave realizes that she has no handcuffs.

The Guard is coming to check if everything is as expected. Higher rank slave immediately runs to her slave, helps her to stand in proper position and then she does the same thing. The Guard is really angry that lower rank slave is not executed yet, there is definitely a delay. She says that higher rank slave is going to be punished for this. Then she orders to keep lower rank slave in line and she leaves to find the handcuffs. After she returns, together with higher rank slave they place lower rank slave on the chair with handcuffs for her execution.

After the slave is placed correctly The Guard orders higher rank slave to put the bag and keep it. After some time she orders to release it. Higher rank slave explains that that's because lower rank slave was not obedient enough so this must be more painful. This put-release sequence should happen three times. After that the Guard orders to put the bag permanently using lower slave's belt. She instructs higher rank slave how to do this properly. Higher rank slave should choke lower rank slave with this belt and the Guard should supervise this process and give "how to" orders.

After everything is done the Guard decides to take a few selfies with the executed slave and the higher rank slave, just for fun and to show other guards. Of course higher rank slave needs to be punished for the delay. The Guard orders her to keep her hands behind her head and they are going to the cell where higher rank slave will be whipped for the rest of the they. They leaves the room and video ends.  REAL DETECTIVE
    22 minutes

    2024-05-12
      REAL DETECTIVE - A creepy police thriller!
A policewoman, alone without reinforcements, decides to enter the lair of the notorious serial Ripper, but does not calculate her strength and herself takes the place of the victim… This time the maniac knows no limits in his monstrous methods of reprisal…
     SUPER NATURAL MURDERS
    14 minutes

    2024-04-26
      SUPER NATURAL MURDERS - SUPERNATURAL MURDERS
ULTRA GREAT QUALITY INDIE HORROR FILM!
Starring: MaryAnn, Marina Steffi, Max
CUSTOM
«Dude! You nailed it. It was really good. Specially the twisting her head off effect. Turning her head 360 degrees. The effect was incredible! You special effects guy is awesome. The acting of both girls, the direction the atmosphere was superb. That’s why I like to do these stories, voyeurism of watching the victims going through the routine. Unaware the horrible fate that await them (combined with my foot fetish of course ). The build up is important, and you nailed it. Congratulations to you and your team. Give a kiss and a hug to the two actresses on my part for putting their heat and souls into playing the parts. I’ll give them a nice foot massage as a thank you »
Review From Customer
Two girls arrived home from working at the perfume counter in a department store. Like in the 80’s they would be wearing professional clothes. Wearing pantyhose but extra sheer so that the feet are seen clearly. One is wearing some low heel mules or slides, the other flat pumps. They’re roomates and their feet are killing them after working long hours standing. They sit and chat. While they talk, they dangle shoes from toes, and dip feet in and out of their shoes. One of them gets up and goes to the kitchen while the other stays in the couch. Let’s shoes fall and rests her feet on Coffee Table. The house becomes chilly. Both girls feel the change in temperature. The girl in the kitchen goes to check the thermostat, after the girl in the couch shouts to her to check it.  A demon appears from behind the couch, girl feels something behind her, scared she puts her shoes on and stands up, tries to run but the demon in a flash appears in front of her, and grabs her by the neck and squeezes real hard.  The poor girl didn’t know what hit her. Her throat is completely shut out by the pressure. He starts to lift her up slowly, the heel of her feet slip out of her flats. He lifts her up a bit more. With her toes she is able to make the back of her flats slip back on. But as squeezes harder, and her body starts to go into spasms, her toes move causing the back of her shoe to slip on and off. Her tongue comes out far. She tries to call for help, but only gags come out of her mouth, since no air is passing through. As he squeezes harder, her eyes rolls back as the throat cartilage of the throat gives in and breaks. Her toes spread forward causing the flats to come off and just dangle from her toes, then a sickening crunch is heard as the demon finishes her by breaking her neck vertebrae. Her body relaxes at the same time a faint gurgle comes out of her mouth. The shoes fall off, and the soles of her feet and body relax, with her toes twitching a bit. Her eyes are open and her tongue hangs by the side. After, the demon sits her on couch, straightens her head and poses her by putting her shoes on, and crossing her legs. The leg that is over and has the foot dangling, he pulls the heel cup of the shoe a bit so that the shoe is left dangling from the toe. He grabs a magazine and puts it on her lap and places her hands on the sides so that it looks like she is grabbing it. The demon struggles a bit to keep her head straight since it flips around due to the neck being broken. Finally he points her face down as if she would be reading the magazine place on her lap. The hair hides her distorted dead stare.

The other girl, comes back and tells her that she doesn’t know what’s going on with the thermostat, since it’s still cold. She doesn’t answer. She looks at her, and calls her again. No answer. She touches her shoulder and shakes her a bit and her head tilts backward and to the side, with faint cracklings heard from the broken bones of her neck, and revealing her death stare. The face pale, and the neck bruised from the pressure and bone breaking in the neck. The shoe that was dangling from the toe falls off. She puts both hands on her mouth in disbelief and as she turns around to go to the phone to call the police, she runs into the demon who grabs her by the throat with one hand. He starts to lift her up slowly. Her feet leave the floor. Her mules managing to stay on her feet but struggling to stay on. It was the sheer will of her toes that would keep those shoes on. Her gags keep coming out of her mouth as he squeezes harder, her face turning red first, her tongue coming out and her eyes opening wide. Her hands squeeze his arm to no avail. She suddenly sees what looks like a long and thin knife in front of her face. Since she can’t talk she shakes her head to plead with him not to kill her. The ice pick enters her open mouth and pierces the back of her throat and through the back of her brain. Her eyes roll back, her hands let go of his forearms and her arms flop to the side. Gurgles come out of her mouth and a little bit of blood trickles from her side of the mouth. Her feet relax in the air, and gravity takes a hold of her shoes. They simply slip off and fall off revealing her soles since her toes have no force anymore. A little twitches of her toes, and then her feet relax totally as the gurgles subside.  He sits her on the couch also with her feet resting on the coffee table. He rests the feet of the other girl again in the coffee table. Both next to each other with their eyes open and tongues out.

The demon grabs the head of one of them head from both sides and twists it so hard that the head goes around 180 degrees. A sickening crunch is heard. Her dead toes spread in reaction and relax. The demon gives the head another twist, causing the toes again to spread and wiggle, the crunch sounds again accompanied by a gushing sound of flesh and sinue being teared. As her head is tored off her dead body, her toes then relax. Then with the same long knife he stabbed the woman through the mouth, he grabs the other girl’s hair, pulls head back exposing her throat and starts to cut the throat of her corpse. Though she’s dead faint gags come out of her dead mouth, and her toes twitch. He cuts deeper, and as the knife reaches the bone, he drops knife, grabs her head and twists it around. Her toes spread and then relax. A noise of flesh tearing is heard along with crackling sounds of the neck vertebrae breaking. Twisting her head off like a bottle cap. The demon leaves their heads next to their headless corpses. Both corpses posed with soles propped up in the coffee table.  Cannibals 4
    21 minutes

    2024-04-22
      Cannibals 4 - DEADLY PRIVARE LESSONS

Full way from sexy girl to roast meat

 

Rich prelude before cannibal eating

Kidnapping

Cut throat

Eating, bloody naturalistic eating

Full way from sexy girl to roast meat

 

Plot

Two sexy rich girl invite a student to their house. Poor girl thinks they are repetitors and wants to study Italian language. But they are cannibals
     BOUNTIFUL HARVEST
    8 minutes

    2024-04-22
      BOUNTIFUL HARVEST - Two crazy fermers stabbed to death two city girls who were lost in the countryside for the ritual to make the harvest bountiful...  DEATH MATCH
    46 minutes

    2024-04-22
      DEATH MATCH - Elements: MMA, Kicking, Boxing, Fighting to the death, Choking, Blood, Death Stares, Non Fatal Battles, Fatal Battles  

 

Experienced champions female  fights to the death find themselves powerless against young crazy girl fighters with no pity and no rules...
     MUMMY GUTS
    10 minutes

    2024-04-22
      MUMMY GUTS - The horror episode about crazy drunk son stabbed his mother and took out her guts.  BLOODY NAVELS HASS
    16 minutes

    2024-04-22
      BLOODY NAVELS HASS - The episode of the movie about belly stabbing with Hass.

    Random Crime House Clips more
     STRANGLER IN THE OFFICE
    10 minutes
      STRANGLER IN THE OFFICE - STRANGLER IN THE OFFICE
Models: Nata Annabelle Christy Pola 
Strangulation in black stockings
Strangulation from behind
Double strangulation
4 girls were strangled in sexy office clothes
4 dead girls bodypile

Plot
Killer-strangler strangle 4 girls in office  DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


IF YOU LIKE THIS CLIP PLEASE CHECK OUT

SHORT SHORTS

And check out
9 stabbing of Nata
     MIRA VS LUIZA
    11 minutes
      MIRA VS LUIZA - MIRA VS LUIZA
Starring: Mira Green and Luiza
Fetish Elements: 
Catfighting, Stabbings, Fighting With Knives, Much Blood, Great Stabbing Scenes 
Plot
Mira Green is an experienced cop. She has a very good reputation among her partners, but her good work has also made her several enemies that are dangerous. Mira´s does not use guns that often, instead, she has specialized in fist and sword fighting, and that is why she loves to collect them. That is the reason why she has 2 small swords on her apartment.
Her enemies are dangerous, and one of them decides to hire a professional killer, Luiza, who also specializes in sword fighting, because she loves to stab her victims through their bodies and watch them bleed to death (SHE IS NO PSYCHO, so no expressions like Max in “Stabbing in the Rain” PLEASE). She also carries 2 swords, in case she loses one for a moment during battle, just like Mira.
Development:
1. Mira arrives to her apartment back from work, she seems tired after a long day of paperwork and no action at all, she seems pissed about it and says: “What a boring day! I could not fight anyone. If only I had the chance to use my swords someday.”
2. Mira goes to her kitchen, serves herself a glass of water and takes a couple of sips while she looks at her phone. She smiles a little since she saw something funny.
3. Suddenly, Mira hears a noise that comes from the living room. She seems kind of curious and scared at the same time as she leaves her glass of water on the table (she makes the expressions from the pictures below as she walks towards the living room)
    When she hears the noise.
4. Mira walks inside the living room, and the first thing she sees is Luiza, who is holding one of her swords while the other is left on the couch.
5. Luiza says: “Finally, you notice that I am here.”
6. Mira responds: “Who are you? How did you get in here?”
7. Luiza points at Mira with her sword and says: “A good killer can get inside any place, and… well, I suppose that you know who I am now. I am Luiza and I am here to kill you. Just imagine this inside your body.” Mira makes the expression from the picture below.
8. Mira says: “I don´t know who hired you, but you are making a big mistake. Maybe we could reach an agreement?” While she says that, Mira slowly walks to the place where she has one of her swords.
9. Luiza responds: “I don´t think so. You will die today.” After that, Mira grabs her sword and challenges Luiza by saying: “I told you this was a mistake, I was saying that for your own sake, since no one beats me with swords. Let´s see who stabs who first.”
10. Luiza tries to attack first, going straight for Mira, while Mira defends herself using her excellent sword fighting skills. Both of them fight hard and get near each other with their swords clashing against each other. Mira smiles and says: “Not bad, but not good enough.”
11. Mira believes that she has the perfect moment to attack and stab Luiza, but the problem is that her rival has studied her techniques very well and knows what Mira is about to do.
12. Mira tries to stab Luiza on her chest, but Luiza wisely dodges the attack, spins and appears right behind Mira. Mira quietly says: “Shit!!!” as she knows what is about to happen.
13. Luiza strikes first, as she stabs Mira in her back, with the sword coming out of her chest, between her breasts, almost getting her heart. Mira is shocked, as she makes a face of surprise while she slowly turns her head down to see the sword that came out of her chest. (See the picture below to see the expression on Mira´s face and the place where the sword should come out from) The sword is fully red, full of blood. The blood is dripping from the sword and Mira´s shirt starts to turn red all around the wound. (Take a good shot of the sword that went through the chest of Mira.)
14. Luiza smiles and whispers on Mira´s right ear: “Not bad, but not good enough, Mira.” She says that as Mira is processing what just happened, static because of what happens, as blood starts to come out from her mouth.
15. Luiza leaves the sword inside Mira´s body, as she watches her walk a little, trying to breathe. Luiza just crosses her arms and watches Mira walk away to take some distance.
16. Mira is far from defeated, as she spits some blood and recovers her posture. She looks at Luiza and says: “Now you have no sword. It´s my turn.” 
17. Mira grabs her second sword and now has one sword on each hand, since she never dropped the one she had first. Luiza is scared, but she has no place to hide.
18. Mira goes straight for the attack, EVEN WITH A SWORD STUCK INSIDE HER CHEST, that does not slow her down and attacks Luiza.
19. Mira stabs Luiza in the belly, with the sword coming out of her back. Mira twists the sword as Luiza grunts and gasps for breath. (Luiza makes an expression like the picture below) The sword starts dripping the blood of Luiza, as the shirt turns red because of the blood from both sides of the body. The sword is also fully red, full of blood.
20. Mira leaves the sword inside Luiza, punches her in the face, making Luiza turn her back on Mira, who takes advantage and stabs Luiza with her other sword, in the back, with the sword coming out of her chest. (Literally same place where Mira was stabbed) Take good shots of the swords that went through the body of Luiza.
21. Mira whispers to Luiza´s right ear: “I want to see if you can resist as much as I can.” While she says that, Luiza spits blood from her mouth, as some of it falls on her shirt. She is stunned as she has the same expression as the one from the picture below for a few seconds.
22. Mira takes the sword out of Luiza´s back, and leaves the other sword stuck inside her belly.
23. Luiza knows she has no sword, and realizes that her only choice is to use the sword that is stuck inside her belly. Luiza slowly takes out the sword from her body, while she screams in pain and drops blood from her mouth nonstop.
24. Luiza finally takes out the sword, which is dripping blood, as she tells Mira: “I can still fight. No problem at all.”
25. Mira goes for the same attack, and successfully stabs Luiza in the chest, with the sword coming out of Luiza´s back (check picture below to see where I want the stab to be)
26. Luiza opens her arms, and drops her sword as the force of the stab pushes her a little. She coughs even more blood as she looks at Mira´s face in pain.
27. Mira was smiling at Luiza´s suffering face, but her reaction changes instantly, as she notices that Luiza is holding her arm, so she cannot take out the sword. (Take shots of the arms of both models at that moment, also from the sword, the shirts of both models red because of the wounds, as well as a good expression of doubt from Mira, like she does not understand what is going on)
28. Mira asks Luiza: “What did you let me stab you?”
29. Luiza just headbutts Mira, finally takes out the sword that was still stuck inside Mira´s chest, and then takes out the sword from her own chest. Now Luiza has 2 swords in hand and Mira has none. (Mira makes the following expression when Luiza takes the sword out of her body, as she also coughs blood that falls on the floor and her shirt.)
30. Luiza quickly reaches Mira and stabs her in the back, with the sword coming out of the left breast of Mira. (Mira is stunned as her clothes are even more red, full of blood. The sword is dripping blood and she makes the following face when she gets stabbed)
31. Mira tries to walk, but Luiza has a good grip on the sword and does not let Mira get away. Luiza takes the sword out of Mira´s body and Mira turns around.
32. Luiza stabs Mira again, with her 2 swords at the same time. (Check the picture below to see where she gets stabbed). 
Both swords come out of Mira´s back (have a good shot of both swords full of blood going through the back of Mira) Mira makes the following expression when she gets stabbed:
33. Luiza takes both swords out of Mira´s body, and says: “I know that is not enough.” Luiza is heavily injured too, and struggles to breathe, but can still get her job done.
34. Mira struggles to move, and grabs her chest, where she has the VERY FIRST WOUND, as it keeps squirting blood with no end. She tries to cover the wound with her hand, but the blood keeps coming out, dripping now over the hand of Mira. 
35. Mira cries and screams in agony, as she looks to Luiza and begs for mercy: “Okay, you won, you are the best. Please, let me live and I will pay you better than the man who hired you.”
36. Luiza drops the sword from her left hand, puts her hand on Mira´s right cheek, kisses her, smiles at her, and finally stabs her with the other sword right on the heart. 
37. Mira is left with her eyes wide open, as tons of blood flow from her mouth like a waterfall (exaggerate with the blood). Mira gurgles because of the blood.
38. Mira is done, she kneels down, but uses the last of her strength to grab the sword that Luiza dropped and stabs her very well. 
39. Luiza did not see that coming, as she puts an expression showing she is amazed. She did not expect that at all!! She cannot stop the blood that comes out of her mouth like a waterfall.
40. Luiza cannot stop panting and grabbing the wound, as blood cannot stop flowing out of her body. Her eyes are wide open too.
41. Luiza still has some energy left, and pushes Mira, who falls to the ground. By pushing her, the sword comes out of Luiza´s body, as Mira did not drop it.
42. Luiza realizes that she must finish Mira, so she uses one of her swords to stab Mira to death. (Luiza stabs Mira between 10 and 15 times, like the final scene from “Stabbing in the Rain”) 
43. Mira finishes like the picture below. Completely obliterated. (Leave her with much more blood on her mouth at that moment.)
44. Luiza struggles with the pain, drops her swords as she puts her left hand on the wound from her chest, due to the fact that tons of blood keeps coming out of her body.
45. Luiza grabs her phone, and calls the person that hired her to kill Mira. Luiza says: “It´s me. I did it. Mira is dead, let me send you a picture of her dead body. One last thing… I am badly injured and bleeding way too much. I am heading to you place, please have a doctor ready for me or I will die too.”
46. Luiza takes a picture of Mira, as Mira´s dead, bloody and wounded body has already formed a HUGE pool of blood on the floor all around her, as blood keeps squirting out of each and every single one of her wounds. (Please exaggerate with the amount of blood and the size of the pool of blood.) Take a big shot for a lot of seconds of the dead body.
47. Luiza says: “You were one hell of a rival. Sweet dreams.” And finally leaves the room with tons of pain while grabbing her wounds. (Show with the camera her back full of wounds and blood while she prepares to leave, maybe 10 or 15 seconds) Also take a good shot of how her body finished.
IF YOU LIKE THE FILM PLEASE CHECK OUT
NO WINNERS
   THE COLLECTOR part 1 Lis Death
    22 minutes
      THE COLLECTOR part 1 Lis Death - THE COLLECTOR (Part 1: Murder of Li)

*ULTRA EROTIC!*



CUSTOM

«‘The Collector: Student Reporter’ is nothing short of a masterpiece, what you might call Arthouse Erotic Horror. Full of iconic moments, this video is destined, in my opinion, to become a classic. Make no mistake, what Ugine and team have produced is one of the best videos in the genre, ever, and your money here is well spent.




What I gave Ugine was an insanely complex script. It took the characters seriously, giving paragraph after paragraph to their thoughts and feelings. It linked out to clips from some of the best videos in our genre — specifically, the best portrayals of my favorite elements that I wanted to repurpose for my story. And it had a story arc, with a beginning, a middle, and an end. Not to mention that Ugine even integrated multiple audio clips that I had recorded by a voice actress for one of the character’s internal dialogue. This was truly hard work, and I can’t thank Ugine enough. This was a leap of faith for me, and Dark Rooms delivered!»

 

Customer’s Review

 

CAST: Annabelle, Judi, Li, Max

ALL DIALOGES ARE IN ENGLISH WITH VOICE OVER TRANSLATION (By Actresses By Customer’s Side)! FIRST TIME IN OUR HISTORY!

 

THE BEST SHOOTING STORY!

LIGHTING, SOUNDING, BOOM, DIRECTING WERE MADE BY PROFESSIONAL CINEMA CREW!

 

Fetish Elements

Adult Student Girls, Stalking, Shooting to the body with silencer, Shooting and destroying bra for topless, Shooting to the breast, Death, Death Stare, Playing with body (very lot!) , Death Stare With Tounge Out, Stripping Nude, Touching Breasts, Touching Face, Injection to freeze the body

 

Plot

On the campus of The Pence Academy, an all-girls boarding school in the northeast United States, all is quiet. Most of the girls — teenagers, from wealthy families — have retired to their rooms, except for a handful of seniors (all of them 18-years-old), who as leaders of various student organizations are working into the night. One such girl is KAITLIN GALLAGHER, the ambitious daughter of international banker, Robert Gallagher.

Wearing a black suit, white shirt, and red tie, THE COLLECTOR is calm, cool, and collected, as he sits in his car parked across from the Pence Academy senior class house. He is a hitman, and this is his first job in the U.S. His first American target: Kaitlin Gallagher. His job is not just to stop her from publishing the exposè on Petrov, his client, but also to make an example of her.

He gets the task to eliminate Kaitlin Gallagher but he must kill also two her roommates. The Collector is what you might call a high-functioning maniac, doing what other hitmen refuse to do: kill young women. Of course, the young women of interest to his clients usually came from privilege — wielding power they inherited, never earning it. And it was Kaitlin’s status as an American princess — her arrogant adolescent pursuits — that made killing her so tantalizing.

 

Worse than death was what he did with the girls afterward. In a previous life, he was a Russian defense services officer — a scientist, in fact, tasked by his government to find ways of incapacitating and preserving the bodies of criminals for long-term, inexpensive imprisonment. The result: cryo-nanoparticles, which preserved bodies perfectly, though not without killing them first — often in dramatic fashion. Thus he failed, though not entirely, for he had found a way to turn his victims into living dolls.

His first victim is Ashley Witford, the queen of graduation.

Ashley arrives at the entryway of the house. A distracted look on her face, she begins climbing the stairs — while The Collector watches her unnoticed from his car. He knows what happens to girls who climb stairs in short skirts. Suppressing his excitement, he covers his mouth with his hand.

 

As she reaches the top of the stairs, her skirt flips up, though not enough, revealing just the bottoms of her ass cheeks — and just briefly. Disappointed, but patient, he continues watching her, trusting the skirt will betray her soon enough.

 

Now at the door, Ashley goes to find her keys. Letting the left strap slide off her shoulder, she cradles the backpack on her right side and unzips the front compartment. Rummaging through the contents for several moments, she just cannot find her keys. Frustrated, she sets the backpack on the ground and squats to dig through it more thoroughly.

 

As she squats digging for her keys, she pays no attention to her skirt riding up her ass, finally revealing it. The upskirt is completely accidental, and she would be horrified to know a man was enjoying it. The bulge of her pussy presses against the cotton fabric of her simple panties, framed by the roundness of each ass cheek.

Ashley keeps digging, when at long last she hears a METALLIC JINGLE — she has found her keys. Relieved, she breathes a sigh of relief. Then standing back up, she arches her back to maintain her balance, accentuating her ass before it finds cover under the skirt again.

 

She picks up the backpack and puts it back on. In a moment of self-awareness — rare for this would-be prom queen — she adjusts her skirt, yanking it down and confirming with her fingers, their fingernails painted white, that her ass is properly covered. Paranoid, she takes a quick look around — noticing the car, though making nothing of it.


Opening the entryway door, Ashley walks into the house, phone in hand. As she walks to her room, the phone BUZZES with a message from someone named Emily Astor.

EMILY ASTOR is texting Ashley from her dorm room. Wearing a sports bra and spandex booty shorts and her hair tied in a ponytail, she stands barefoot on an empty stretch of floor, ready for some yoga — something she feels compelled to tell Ashley.

Daughter of David Astor, a real estate investor, Emily was born and raised in New York City — as she frequently reminds others. She loves yoga almost as much as her mother, and one day, she wants to open her own studio in Manhattan.

Having had enough, Ashley puts her phone down on her desk and starts to get undressed. Undoing the buttons, she removes her blouse, revealing a pair of young breasts suspended in a simple bra. Then tossing the blouse aside, she goes to remove her skirt — when all of a sudden, she hears someone whistling behind her.

 

She gasps, as she turns to find The Collector pointing a gun at her. Staring blankly at him, she shakes her head no, raising her hands slowly in surrender. With bated breath, she begins pleading with him.

Before the word “no” can leave Ashley’s mouth, The Collector fires into her abdomen, below her navel — the BLAST
MUFFLED BY THE SILENCER ON THE GUN. She HOWLS in
agony as the bullet leaves just a small hole in her flesh, spewing a rivulet of
blood that runs down her pelvis.

Clutching her wound with her hands, she YELPS as she doubles over in agony, giving us a look down the cleavage of her breasts from the front — while from the back, we look up her skirt.

 

In terrible pain, Ashley straightens her back and stares at The Collector. She looks confused as much as she looks scared, and shaking her head, she begins to CRY. This only makes him LAUGH, and grinning widely, he fires two more shots into her chest.

His bullets strike the very middle of her bra — right on target — shredding the fabric and leaving the disconnected cups to fall away from her bare breasts. Her heart pierced through, she is dying, NOISILY CHOKING on her blood. Her eyes cross, then roll back into her head, as blood starts to trickle from a corner of her lips.

 

Falling, her back finds a wall, and she slides down it. As she does so, her legs bend at the knees and spread apart. Her ass comes to rest on the floor, and we can see the front of her panties under her skirt.

We hear Ashley taking HER DYING BREATH, watching her naked chest rising and falling a few more times, before her long legs spasm and then totally relax.

As a death stare sets on her face, she briefly makes an ahegao face, crossing and rolling her eyes while protruding her blood-soaked tongue. A tear rolls down her cheek, carrying with it some smokey eyeshadow.

Ashley is dead. Breasts exposed, she dies with her tongue hanging out of her mouth. The Collector approaches her body, admiring it. His grin fades as he addresses her.

Looking for Ashley’s phone, The Collector scans the room and quickly finds it on her desk. Encountering the lock screen, he reads the instructions to himself — in English.

he Collector takes a seat next to Ashley on the ground, sitting shoulder to shoulder with her. He opens the photos app on her phone and flips through her selfies. We see one of her in her schoolgirl uniform, but also wearing a tiara. She is smiling radiantly in the images, preening for social media.

Delighted, though no longer laughing, The Collector plants a kiss on Ashley’s cheek, jostling her lifeless head. Then putting her phone down, he moves into a crouch in front of her. He cradles her chin with his fingers, admiring her beautiful, blood-stained face.

 

He removes her broken bra, unhooking it from the back and pulling the broken pieces off her arms. He takes a moment to admire her breasts, cupping them in his hands to assess their firmness and weight. Then taking her hands in his, he admires her white nailpolish.

 

Releasing Ashley’s hands, he moves to grab her ankles, then drags her onto her back, away from the wall. As she is being dragged, her skirt bunches up around her waist, revealing her simple panties.

…

 

TO BE CONTINUED IN NEXT PARTS

FIRST PART IS VERY IMPORTANT FOR UNDERSTANDING THE PLOT AND ENJOING INTRIDUCING OTHER CHARACTERS…

 

IF YOU LIKE THIS VIDEO PLEASE PURCHASE NEXT PARTS AND THE MOVIE:

EASY MONEY
     ANNABELLES AUDITION
    19 minutes
      ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst  giving strong performances in the three death scenes. 
The production quality is good».
Customer’s Review 
PLOT 
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while.  Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke. 
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down. 
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go. 
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].

IF YOU LIKE THIS FILM PLEASE CHECK OUT

DEADLY SEDUCTION  HITMAN 20
    23 minutes
      HITMAN 20 - HITMAN 2.0

23 MINUTES!

Starring: Luiza, Judi, Vika, Yana, Annabelle, Alex

Killing Scenes:

Guard was garroted

Guard had her neck snapped

Guard was shot by knife

Guard was strangled from behind in the air

Lady Boss had a headshot after firefight

All 5 Bodies were carried and stripped to full nude

Bodypile of 5 nude bodies! 

PLOT

Hitman was sent to kill rich businesswoman in her residence. She had four female guards.  Hitman first attacked two guards – he strangled one of them with garrote and snapped the neck of another one. Than he went to the staircase and strangled third guard with a cord, taking her up to the air and threw the knife to another girl. Well, all guards are dead now. Hitman goes for business lady. She takes a gun and firefight starts. He shot her to her head and she falls from the staircase. He strips all the bodies and places them to the bodypile.

    Welcome to Crime House
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 965 Clips / 16587 minutes of video!

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    Click HERE To See The Full List Of Clips On This Studio
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